"Mike's Reviews, Part 3"
by MikeSOS
Sponsored In Part By
Alien Ant Farm • Anthology
Dreamworks
Ok, the nu metal tag has been a bit overused as of
late, with any band coming out of California automatically wearing the
genre on their sleeve. Alien Ant Farm is a band that shakes those
notions and funkifies their aggro attack in such a way that you'd think
Incubus before Korn ("Calico") and Matchbox 20 before Deftones ("Death
Day"). This West Coast quartet's debut disc is a smoking 13-track
delight, laden with smart songs that smart when they smack you in the face.
Armed with catchy choruses that sting with stark realizations ("Movies,"
"Wish") and a chunky rhythm section that grooves like a '70s funk outfit
("Flesh And Bone"), these pals of the platinum Papa Roach defile the accusations
of nepotism with conviction. And their cover of Michael Jackson's
"Smooth Criminal" is as fun as a cover song gets without the campy aftertaste.
One of the bright spots thus far in the wonderful world of rock radio,
Alien Ant Farm have got the legs to go the distance. (www.alienantfarm.com)
Suprasod • Suprasod
Virgin Records
Brooklyn NY's Suprasod are a powerful rock outfit
whose emotionally charged delivery and masterfully monstrous grooves ("Only
You") dominate their 11-track debut import. Shamefully, this CD is
very hard to find, but is a definite disc to seek out if you crave the
bottom end of Alice In Chains with the crispy chug of metalcore ("Erase
Me"). This quartet regularly rocks German crowds of 5,000 and more
and with one listen of their eponymous CD, you'll be wondering why they're
not doing the same on these shores. Inside their captivating crunch
lies stellar grooves and lush soundscapes ("Fallen Trees") that harken
images of Pink Floyd meeting Tool with a Slayer riff thrown in for some
action. Do yourself a favor and find this disc and be envious that
Europe knows where it's at from time to time.
Bump City • Yesterday's Feel
Citymade
Bump City is a NYC funky rock outfit whose five song
disc would sit pretty in between the Stevie Wonder and Dave Matthews discs
on your CD shelf. Bump City is a fine tuned groove machine who churn
out some hot guitar licks and a big ass brass attack alongside some airy
keyboard playing and ultra catchy choruses that have hit stamped all over
them ("Hearfelt Dreams"). Funky clavi? Check ("Can't You See?").
Ass shaking groove? Affirmative. A must have for your funky
souled self? Definitely. (90 Lexington Ave., Ste. 5D, New York, NY
10016; www.bumpcity.org)
Iron Fire • On the Edge
Sanctuary Records
Iron Fire is a metal band of the utmost proportion.
>From the cliched orchestral intro that leads into their melodic attack
to the fist raising power metal anthems that line their 12 track disc ("On
The Edge"), this Swedish quintet scream of Manowar, Deep Purple and Scorpions
among others. While the music may lead to a severe case of whiplash, the
vocals are a bit on the light side for the overall feel to be successful.
Imagine Vince Neil fronting Iron Maiden and you'll see what I mean.
While the music is meaty ("Wanted Man") and stands up through their '80s
time machine travel, the same can't be said for the falsetto shrill that
leads the high haired brigade. Skip this one unless your penchant
for '80s hard rock/heavy metal depends on it. (www.ironfire.com)
North Side Kings • This Thing Of Ours
Thorp
NYHC has a tendency to spread itself out these days
without spreading itself thin. The latest outfit that succeeds in
doing so have actually relocated from the Big Apple to Arizona and have
come from NYHC institution bands such as Cause For Alarm and Sheer Terror.
North Side Kings is the name, and the Sopranos meets Slayer musical approach
works well here on their 10 track mosh marathon ("Az Social Club").
Containing a plethora of moshpit movers ("Lack Of Dignity", "Looking Out
Again"), NSK put themselves as well as the Arizona scene on the map.
Mixing Hatebreed, Sepultura, Cro-Mags and Louie Primo is no easy task,
yet this trio does so admirably. Keeping the music real and the respect
level intact, North Side Kings earn your respect on a lot of different
fronts, folks. So, if you don't want to wake up sleeping with the
fishes, I'd strongly suggest you pick this CD up. You wouldn't want
to disrespect these guys, would you? (P.O. Box 2007, Upper Darby, PA 19082;
www.thorprecords.com)
Yeti • Things to Come...
Two Ohm Hop
Yeti hails from Texas, but if you heard their latest
four song, near 50 minute offering, you'd swear that they're from another
planet. Maybe it's the crazy synthesizer they use, or maybe it's
those damn space aged Bowie meets Floyd guitar riffs, but these guys are
definitely out in major league uncharted territory. Yeti may sound
as if they scored every cheesy sci fi movie from the '60s, but it's their
jazzy overtones and total abandonment of the rules that sets this band
apart from the disposable lounge act category. (P.O. Box 2464, Denton,
TX 76202; www.twoohmhop.com)
Integrity • Closure
Victory Records
Integrity continues to push the envelope when it
comes to being an extreme band. This Cleveland powerhouse opt to
take a page from the book of Danzig and puts out their latest 11 track
disc in the form of a Goth punk metal blend with tinges of their former
selves still in tow. They even go that extra mile to include a Misfits
cover ("Hybrid Moments") to solidify their genre hop from hardcore to shock
rock a la Ministry ("Angela Delamorte"). While it is a real risky
step for a band, Integrity seemingly pull it off with conviction, although
some fine tuning is necessary for the band to even come close to their
influence's successes. While the new style may turn off many longtime
fans, if you're game for an adventure and dig the garage punk metal sound,
this may be for you. (P.O. Box 146546, Chicago, IL 60614; www.victoryrecords.com)
Boy Hits Car • Boy Hits Car
Wind Up
Boy Hits Car is a complex quartet who hails from
California that blur the edges between today's metal and alternative rock.
While their 11 track disc hits hard and furious, not unlike fellow West
Coasters System Of A Down ("Turning Inward"), it's BHC's penchant for artsy,
neo hippie banter (complete with acoustic guitars and Arabic melodies)
that set them way of the road less traveled ("Lovecore"). Imagine
Jethro Tull jamming with Korn, and you may get an idea of what these guys
sound like. And while their style may seem jarring at times and a
bit weary on the ears, the parts that rock read way off the horned hand-o-meter
so much that you actually may appreciate their diversity. These guys
are also decisively smarter than your average stupid metal band, and it
shows in their lyrics as well as their blistering compositions ("I'm A
Cloud"). If you dug Days Of The New's twist and would like to expand
on that with a flare of Middle Eastern influence (not unlike Robert Plant's
solo work), then Boy Hits Car is a solid album to check out. (www.boyhitscar.com)
Full Blown Chaos • Full Blown Chaos
Full Blown Chaos are a up and coming NYHC outfit
whose gargantuous sounding five song disc is headed right for your jugular.
Hardcore has evolved with metal here and has created a brutal display of
chugging guitars, tortured vocals and intense drumming ("It Remains").
Chock full of tight breakdowns ("One Last Victim"), FBC bring the brutality
of an East Coast pit home for your own personal pleasure. First aid
kit not included. (www.fullblownchaos.cjb.net)
Sisthema • The Fourth Discontinuity
Sanctuary Records
Sisthema is an Italian quartet whose disjointed version
of metal is very similar to that of Meshuggah. On their 10 track
disc, Sisthema take you on a breakneck ride that's full of time signature
changes and is never short on aggression ("Cy Tech Eye"). Very methodical
and mechanical ("The X-Tasy And The Eclipse Of The Flesh"), this metal
band throw out the notion of melody and replace it with a sheer attack
of the ears that may include wailing guitars, sonically booming bass and
screams from the outer regions of Hell. If you like the avant-metal
style, this is a CD to snag. (www.noiserecords.com)
Soulshed • Resurrection
Zero
Soulshed is a quartet from Massachusetts whose aggressive
edge will hack an unsuspecting listener to pieces. On their four-song
disc, these guys lock the groove down and build a wall of sound around
it, creating a thick forcefield of rock that's virtually unpenetratable
("Piece Of Me"). Mixing metal's structure with the grooves of hardcore
("Condensate"), Soulshed have found a winning formula that's not exactly
unique, but is done with an exuberance that is rare to find in the days
of copycat outfits. Soulshed is a band to check out if you like the
new sounds that are showcased at the summer's hottest festivals. (romperchic@aol.com)
God Forbid • Determination
Century Media
Metal has been making a major comeback in the States
as of late, and God Forbid may be the band to lead the brigade. This
New Jersey band of bruisers take the molten metallic sounds from Europe
and place a good old United States kick ass stamp on them ("Determination
Part I"). Relentless in their 11 track aggressive attack, God Forbid
not only provide some usefully deliberate melodic interludes ("A Reflection
Of The Past"), but they also showcase some of the most pounding metal anthems
this side of In Flames ("Divide My Destiny," "God's Last Gift").
If you're looking for a different angle on heavy music that equals the
brutality of Slayer with the epic nature of Maiden, then look no further
than this true metal quintet. Get in the pit and feel them for yourself.
(1453-A 14th Street #324, Santa Monica, CA 90404; www.centurymedia.com)
Ginger Moon • Celebrity Volunteers
South Tenth
Ginger Moon is a Long Island rock band whose nine-track
offering
displays not only spirited performances, but also draws you in with their
rootsy rock feel and delivery. Not unlike John Cougar Mellencamp,
Ginger Moon have a handle on how to R.O.C.K. in the USA ("Fool") as well
as a keen insight of the feelings of Joe Everyman in their folk laden songs
("Of Gentle Heart"). Playing blue-collar rock and roll that would
fit in any local bar ("On My Way Now"), Ginger Moon is a solid group that
understands the dynamics of rock music. They would be a nice addition
to your CD collection if it includes Credence Clearwater Revival, Sting
and/or The Wallflowers. (www.gingermoon.net)
Vic 20 • Release Candidate
BXFX
Vic 20 is a real tough band to classify and that's
a bold statement in itself. This Boogie Down Bronx quartet have an
amazingly aggressive edge for certain, but there's so much more in their
staccato riffs and powerful rhythms than your average metal band ("In Sickness").
For one, there's an astounding presence of percussion that flows in and
out of the eight tracks that make up Release Candidate ("Applying
For The Gashlycrumb"). There's also a plethora of keyboard overlays
that accentuate the music quite well and give them a quirky prog rock feel
("Perimeters Of The Inner Circle"). Then there's the vocal gymnastics
of Murren and his amazing screams, cries, barks and wails that make Mike
Patton look like Perry Como ("Climate Control"). Plus, these guys
really rock. Even though there's so much going on in every song,
Vic 20 never lose sight of a groove nor skip a beat. And they have
wonderful sense of musical dynamics, knowing exactly when to hit the gas
and go and when to break it down and keep the party polite ("Tainted Loins").
In short, they're like everything you know about heavy music and a lot
more that you don't. Intrigued? Bet you are. Do yourself
a favor and seek this puppy out. (www.vic20.net)
Hades • Damnation
Metal Blade
Sigh, some metal bands are cursed from the start.
Such as NJ's Hades, a quintet who seemingly never stepped out of Judas
Priest's shadow long enough to carve their own niche. No matter,
because if you're looking for balls to the wall metal with a glass shattering
shrill and jackhammered rhythms, you've found the right band ("Damnation").
However, your calendar may read 1988, but that's OK. Even though
Hades is treading familiar waters, they manage to keep their dignity when
doing so by emulating Black Sabbath and Overkill quite well ("Stressfest").
Exclusively for the true metal warrior. (www.metalbladerecords.com)
Ann Beretta • New Union... Old Glory
Lookout Records
Ann Beretta is a punk outfit that really isn't too
inspiring. They have this Green Day meets Rancid vibe to them that
quite frankly gets pretty monotonous fast ("Latchkey World"). That's
not to say that they're not good at being a bouncy, full of energy type
pop punk band that can carry a sing along with the best of them, because
they are. But, it's sufficed to say that they're not really turning
the world on its ear with their musical leanings. If you dig anthemic
punk, this may be your bag. (3264 Abeline Street, Berkeley, CA 94703; www.lookoutrecords.com)
Blind Dog • The Last Adventures of Captain Dog
Meteor City
Blind Dog's newest CD is a retro rock smorgasbord,
as this power trio trudges through 13 top notch musical treats that will
get your stoner rock senses tingling all over ("Thundergroove").
Hailing from Sweden, these guys take the power of Sabbath ("Feels Like
My Mind..."), the sludge of Soundgarden ("10,000 Reasons") and the trippiness
of Monster Magnet ("Beyond My Reach") and swirl in all into their cauldron
to create a musical potpourri that pours out pure sunshine and plenty an
acid flashback. They also have the flair to take it down a notch
and display their sensitive side ("Damned If I Should Care"), but not before
they bludgeon you with riffs of doom ("Back Where I've Always Been").
If you're a fan of heavy rock that inspires, perspires and will keep the
fires burning bright after 4:20 time, then check out Blind Dog. (P.O. Box
40322, Albuquerque, NM 87196; www.meteorcity.com)
Averse Sefira • Homecoming's March
Arrogare
The American death metal outfit Averse Sefira's style
is in the European black metal vein, showcased on their seven song CD.
Screams and cries from the deep protrude through the blast beat madness
and pounding rhythms, much like Cradle and Satyricon ("For We Have Always
Been", "Homecoming's March"). These guys even go the extra step to
throw on the makeup and make it a performance piece as well, a very thoughtful
gesture for certain. While their music may be a bit derivative, they
back it up with stellar performances and lush interludes that set the murky
tone that they are surely striving for. Horned hands engage! (P.O.
Box 18789, Rochester, NY 14618; arrogare@rochester.rr.com)
Gabriel Gordon • Frequency
Surprise Truck
Gabriel Gordon's resume is as solid as his latest
solo effort, as the former Soup Dragon and current guitarist for Natalie
Merchant's band steps into the limelight with guitar in hand and song in
voice for 11 tracks of solid singer songwriter fare. A dash of Jimi,
a chunk of BB ("No Ending"), a flair of Lenny ("Far And Wide") and a host
of soulful slabs of rock and pop ("Remember Me") is what Mr. Gordon delivers
on his solo sojourn, sure to soothe you after a hard day of pounding the
pavement. Introspective and insightful, Gordon's vocals (comparative
to those of King's X's Doug Pinnick) shine just as bright as his stellar
fretwork. With talent like this, Gabriel Gordon shows that he has
the tools and the songs to catapult him into the company of the one name
recognized artists much like his influences. (P.O. Box 4077, Hollywood,
CA 90078; www.surprisetruck.com)
Lacuna Coil • Unleashed Memories
Century Media
Lacuna Coil is probably the biggest rock band in
Italy, and with good reason. 10 good reasons actually, as their
latest CD showcases 10 neo-Gothic rock gems that are very accessible ("Heir
Of A Dying Day"), unlike many Gothic rocker's bodies of work. Lacuna
Coil's uncanny sense of melody glide them through lush soundscapes ("Cold
Heritage," "To Live Is To Hide") which at times give way to crushing guitars
and driving rhythms ("1:19"). It's dichotomy like this, coupled with
the angelic voice of Cristina Scabbia that makes this hard working sextet's
latest release such an overwhelming success. If you've grown tired
of the same old cliches displayed in female fronted rock, try Lacuna Coil
out for a breath of fresh air. (14553-A 14th Street #324, Santa Monica,
CA 90404; www.centurymedia.com)
sunn0))) • 00 Void
Hydrahead
Produced by Scott Reeder (Kyuss), this experimental
project is merely a lot of feedback and features no songs whatsoever.
Maybe if on the proper substances, some sense of melody takes shape; but
otherwise, this four track disc is basically either a joke or a really
self-indulgent project. Take your pick. (P.O. Box 990248, Boston,
MA 02199; www.hydrahead.com)
Savatage • Poets and Madmen
Nuclear Blast
Savatage are one of the master storytelling bands
within the realm of metal music, and on their latest release, their version
of operatic metal coupled with a twisting, turning story puts them once
again in the majestic form that their previous releases dictated.
The 12 tracks that grace Poets and Madmen not only intertwine to
tell a story, but can also stand on their own as fine pieces of music.
With the trademark Savatage sound in tow, complete with heavy guitar shredders
("Drive") and beautiful piano ballads ("Surrender"), not to mention the
patented vocal gymnastics of Jon Oliva, Savatage have once again claimed
their top position as kings of the concept album. Sounding as rich
and dynamic as Streets ("Man In The Mirror"), Savatage is primed
to bring back the rock opera from the dead and breath fire in its lungs.
Hail to the mountain kings, indeed! (1453-A 14th Street #324, Santa Monica,
CA 90404; www.savatage.com)
American Standard • The New American Standard
Classics
Maggadee
Hoboken, NJ isn't exactly the most glamorous place
in the world, but it seems fitting that a hard rocking, middle class rock
quartet hail from there and continue their decade long tradition of producing
kick ass music. American Standard is that band, and their latest
10 track disc is chock full of indie rock goodness, from the semi-punk
choruses ("Really") to the pseudo hardcore rhythms ("Consolation") to the
overall ass whupping they leave on your hide. Kind of sounding like a mixture
of Pearl Jam and Anthrax ("Morgantown," "3-2"), AS pull no punches and
urgently deliver hard rocking songs that are as lean and mean as a Pro
Bowl linebacker. With enough pinches and dashes of many of rock's
genres, American Standard comes up with their own blend of smartly crafted,
driving music that is sure to please anyone looking for a swift kick in
the ass. (P.O. Box 66, Hoboken, NJ 07030; info@magadee.com)
Corvus Corax • The Atavistic Triad
Dark Symphonies
So, is longer better? That's kind of the question
Corvus Corax brings to the table on their four song, 45-minute epic EP.
While their "pagan symphonic black metal" isn't going to be on Casey's
Top 40 anytime soon, their dark interludes and bursts of death metal fury
are coherent and quite competent. But, do we really need every song over
10 minutes in length? Maybe to successfully build an eerie mood it's
best, but by all means, lose the flute and leave in the churning guitars,
please! If you're a purveyor of the pagan symphonic black metal (and
man, who isn't these days), check this sucker out. (P.O. Box 547, Billerica,
MA 01821; www.darksymphonies.com)
Dropgod • Dropgod
Dropgod is one of those new fangled metal bands that
use all of them crazy downtuned guitar effects and tons of screaming and
yelling to make their incessant racket audible. And man, it rocks.
Kinda like a cooler, less commercial Korn, these guys take the whispering
vocals to guttural screams approach and run with it like kindergartners
with scissors in their hands ("Nothing"). Brutally uncompromising,
Dropgod is as heavy as it gets, folks, and if you dig Slipknot and Mudvayne,
you'll go gaga over this ("Needlework"). (www.dropgod.com)
Thursday • Full Collapse
Victory Records
Does the world really need another emo band?
Well, if their name is Thursday, then hell yeah. This New Jersey
quintet are a mesmerizing outfit that mix the lushest of ballads with the
harshest of melodies, usually all in one song ("Standing On The Edge Of
Summer," "Understanding In A Car Crash"). Their 12 track debut is
a stunning display of passionately composed and lovingly performed emo-core,
complete with more crests and valleys than a sequential math flow chart
("Cross Out The Eyes"). Thursday succeeds in not only reeling you
in with their memorably melodic leanings, but also keep your interest peaked
with substantially rich lyrics and visceral music that will allow your
soul to soar way above the heavens. If you dig At The Drive In ("Paris
In Flames"), Boy Sets Fire, Glassjaw ("How Long Is The Night?") and The
Smiths, these guys are all of that and more rolled into one. Just
what do they put in that New Jersey water, anyhow? A must have for
those that like their music honest and edgy. (P.O. Box 145546, Chicago,
IL 60614; www.victoryrecords.com)
No One • No One
Virgin Records
Chicago's rock scene has been in the spotlight as
of late, especially with the runaway success of Disturbed. Add No
One to the list of nu metallers who've gotten to the top of the mountain,
as their 13 track CD is a scorching display of technofied heavy music.
While the obvious comparisons arise (Korn, Ultraspank), this Windy City
quartet do themselves justice by not only paying homage to the sounds of
today, but they also succeed in finding their own voice, too ("Chemical").
They blend all of the mosh pit elements quite nicely, such as powerful
grooves that never stray from beating you senseless ("Hype"), coupled with
an alluring vocal delivery that finds a perfect fit to their pounding musical
undulations ("Falling"). No One's style is definitely a welcomed change
of pace from the rap rock contingent, as they prefer to sell the drama
and lunge chunks of rhythmic crush at your skull rather than beat you senseless
with b-boy banter. As sonic as Nothingface ("Mindless"), yet as melodic
as Godsmack ("Shedding"), No One has carved a nice little niche for themselves
that may make them somebody very shortly. (www.immortal.com)
Mindtwist • 3 song sampler
Mindtwist is a Long Island based metal outfit whose
incessant rumblings resemble jackhammer breaking concrete at warp speed.
Their three-song disc is heavy as hell, and should be played loudly to
piss off anyone you loathe. Leaning on the Machine Head meets Soulfly
side of the street ("Ache") with a hint of hardcore, Mindtwist's contorted
mix is bound to spurn windmilled fists and other assorted chaos when hitting
a stage near you. You've been warned. (P.O. Box 181, Centereach,
NY 11720; www.mindtwistnet.com)
Five People • We the People
10 Second
Five People's nu metal attack rivals that of Deftones
and Slipknot in pure rock fury, as this Ohio quintet's 11-track disc is
chock full of dissonant guitars and offbeat rhythms ("Scream," "Angry").
Led by vocals that sound as if they stepped right off of the Ozzfest's
Second Stage ("Forever After"), Five People's delivery may not be groundbreaking,
but it is a tad funkier than the usual chugga-chugga metal standard ("These
Feelings") thus making these guys that much more engaging. These
heavy hitters truly encapsulate the new rock sound and runs with it in
fine form. Thick and tight, Five People serve up a solid display
of rock for the 21st century. (4546 Crystal Clear Dr., Hiliard, OH 43026;
voodoo01@gateway.net)
Diffuser • Injury Loves Melody
Hollywood Records
Diffuser is a powerful punkish type of a band whose
cheeky nature could confuse this Long Island quartet for an equally powerful
yet cheeky outfit, Lit. While the 11 songs on their debut disc are
punkish in demeanor, there's a whole lot more going on in Diffuser's music
than your average MTV flavor of the week punk tandem's songs. For
starters, there's a keen sense of melody here, not unlike a good singer-songwriter's
instincts of where to make things artsy, immediate ("Tidal") or downright
catchy ("Tell Her This"). Add in some flavorful lyrics that are able
to tell a musical story complete, yet casual ("Wide Eyes"), and what you've
got is a punk band's version of fellow Long Islander Billy Joel.
Not bad company to be in, wouldn't you say? Diffuser takes the attitude
of punk ("35"), and in a Weezer kind of way ("I Am"), smartens it up with
smart alec musical tactics and clever word play. (www.hollywoodrecords.com)
Waterdown • Never Kill the Boy on the First Date
Victory Records
Waterdown is a German hardcore band that opts to
go the emo/metal route and, in turn, create 12 tracks that fall somewhere
between Snapcase and The Scorpions ("Impress Me"). Guitar driven
and angst ridden, Waterdown's tight breakdowns and burnt lung vocalizations
keep them from donning spandex ("June"), yet the pretenses are very apparent
and are a major asset of the band. This sextet also has the ability
to lock them into a killer groove and leave with hooky chorus in tow ("Round
Two"), without sacrificing any of their musical intensity. And even
when Waterdown gets a little too happy and leans a little too far over
to Pop-ville ("Your Shadow"), it's still an enjoyable, yet familiar ride.
Waterdown is a perfect companion to your Boy Sets Fire and Grade CDs. (P.O.
Box 145546, Chicago, IL 60614; www.victoryrecords.com)
Dickie Staboner • Dickie Staboner
Dickie Staboner, besides being the bearer of a pretty
funny name (Growing Pains, anyone), are a forceful quartet that
mix chugging guitars with punk rhythms and skater rock antics. On
their six song CD, their drop tuned guitars drag down to the dirty part
of town ("Justified Destruction"), while their surprisingly East Coast
hardcore mentality shines throughout, even though these guys hail from
Arizona. And with a strong background in heavy metal dynamics, Dickie
Staboner stands stronger and packs a much more imposing punch ("Conception")
than many of their peers. (dickiestaboner@hotmail.com)
Jim Knable • Miles
Jim Knable is a weird, but very talented guy.
His avant garde singer-songwriting style covers everything from an ode
to his guitar ("Loriane") to a ditty about an overzealous civil servant
("Sexual Postman"). Knable's witty and wacky sense of humor and performance
sense make these songs memorable as well as thoroughly enjoyable ("Young
In America," "I'm Not Charles Bukowski"). In spirit, Knable seems
to be the perfect male companion act to Phoebe from Friends and
her acoustic coffeehouse warbling, only Knable's guitar playing is decisively
stellar. Intelligent and unique, Jim Knable's Miles is bound
to earn some miles in your CD player if you're on the hunt for some David
Byrne-esque left of center singer-songwriter fare. (www.jimknable.com)
Downway • Never Be Clever Again
Two-O-Six
Coming from the Great White North, Downway sounds
as if they just rode off their surfboards and took in some California rays
on their 14 action packed track CD ("Love You To Pieces"). Summoning
the punk powers from the Blink/Green Day camp, Downway churns out guitar
driven, head bobbing numbers that stand up quite well in the pit or in
a coming of age movie ("One Of Us"). While the core of Downway's
attack displays clever punk lyrics over speedy rhythmic deliveries, the
fretwork borders on 80's metal guitar hero-dom ("Mike Tyson Ripped Me Off,"
"Frank's Way"). With their affinity for six stringed debaucheries,
Downway show that they have the chops to make you raise your fist and scream
for vengeance, which gives them that gnarly edge over the rest of the punk
contingent. Check them out on the Warped Tour or a VFW hall near
you. (8314 Greenwood Ave N., PMB 102, Seattle, WA 98103; www.206records.com)
4 In Tha Chamber • Existence...
Da Core
4 In Tha Chamber is a five piece hardcore outfit
hailing from NY that strives to keep it real on their 13 track release.
While there's nothing here that'll make you turn cartwheels, these guys
do have a strong feel for pontificating their point across ("Hated At Home,"
"Lost Focus"). A solid mix of Biohazard-esque rhythms ("3 Weeks")
with tinges of rapcore thrown in ("Existence") help 4 In Tha Chamber retain
a tough guy image without thugging out completely. If hardcore is
your bag, check these guys out for a solid serving of aggression. (347
Grove Street, McKees Rock, PA 15136; www.geocities.com/4inthachamber)
Regurgitate • Carnivorous Erection
Relapse Records
OK, we get the point. Regurgitate is in the
running for not only noisiest band award, but also sickest album cover.
And, hell, with song titles like "Stinking Genital Warts" and "Fecal Freak,"
they may win the most vile song titles, too, making it a trifecta for these
sick purveyors of all that's heavy. Besides the stomach churning
lyrical content, these guys got a really good Napalm Death grinding groove
going on. If you can get past the grossness, these guys may be your
new sludge kings! (P.O. Box 2060, Upper Darby, PA 19082; www.relapse.com)
Underoath • Cries of the Past
Takehold
More metal for Jesus comes in the form of a six-piece
juggernaut from Florida known as Underoath. If you thought Florida
was all swamps and Disney, these guys will change your mind real fast with
their European metal sound, not unlike Cradle of Filth meets Entombed ("Walking
Away"). Oddly enough, Underoath is a death metal sounding band whose
lyrics tend to swing to the lighter side of religion, yet don't let their
Creed-esque stance fool you. Killer metal rhythms are alive and well here
("Giving Up Hurts The Most") to suit your horned handed desires.
If there were a battle between Heaven and Earth, I'm sure these guys would
have a song on the soundtrack. (P.O. Box 19831, Birmingham, AL 35219; www.takehold.com)
Those Unknown • Malice and Misfortune
TKO
Those Unknown bring the lower class anthems out for
a spin on their latest four-song offering. This quartet does a pretty
good job of making your average pub song sound inspired, but for fuller
flavor, try listening with a few in you for a more down-home feel.
If you dig folksy punk, Those Unknowns should become familiar to you very
shortly. (4104 24th Street #103, San Francisco, CA 94114; www.tkorecords.com)
Scary German Guy • 6 song demo
Think their name is weird? Well, the music
that comes out of these Long Island madmen is a lot weirder. Think
Mr. Bungle meets Helmet who then turns everything over to KMFDM ("Poison
Us") and you may get an idea of what Scary German Guy sounds like.
While they have their "accessible" moments which all of the children of
the Korn are sure to lap up ("For The Sake Of Man"), these guys retain
an enchanting aura that mixes death metal guitars with techno beats and
samples straight from the Rob Zombie cutting room ("Get Up And Kill").
If you like your metal technically twisted and multi-influenced, these
guys are sure to please you, if not with their sheer insanity, then for
their impassioned KISS cover ("Shout It Out Loud"). (www.scarygermanguy.com)
Dismal Euphony • Python Zero
Nuclear Blast
Dismal Euphony seems to be a generic sort of name
for a metal band that could be fun to poke fun at. But if you listen closely
to this Norwegian sextet, you'd see that there's not much to laugh about
here. Serious slabs of neo-Gothic metal are blared through your speakers
as these guys and girl wail away, complete with ominous keyboard overlays
and churning guitars ("Plasma Pool"). The dual male/female vocals
help to shape the music as well, as the point of view is always refreshed
and never gets stale ("Birth Reverse"). Adventurous as it kicks you
in the seat of the pants, Dismal Euphony's future seems bright at this
point. Check it out if you dig Lacuna Coil or your metal with Gothic
leanings. (1453-A 14th Street #324, Santa Monica, CA 90404; www.nuclearblast.de)
Abscess • Tormented
Necropolis Records
Old school death metal is what these guys specialize
in, and Abscess really succeeds in delivering the goods. On their
13 track disc, this West Coast outfit mesh churning death metal with a
punkish flare ("Tormented," "Ratbag") to create a nice juxtaposition that's
sure to rile up the savage beast inside you. Sounding like late '80s
Slayer at times (especially the guitar solos), this veteran underground
band doesn't compromise nor make concessions for anything except kicking
your ass from track 1 to 13 ("Death Runs Red"). If you yearn for
Obituary, Six Feet Under and old Slayer, this will satisfy the craving
for sure. (P.O. Box 14815, Fremont, CA 94639; www.necropolisrecords.com)
Evil Beaver • Lick It
Four Alarm
Evil Beaver is a female rock duo that is as far away
from the Indigo Girls as you can get. Besides the fact that these
ladies hit Hole-like homeruns when it comes to playing dirty punk rock
and roll ("Superbird," "The Ballad of Sandy D Martino, Pt II"), Evil Beaver
have got a sturdy, dynamic vibe going on, a rarity these days when it comes
to female artists that seemingly rely on fluff rather than fire ("Year
Of The Cookie"). These Windy City women have gnashed their teeth
into solid slabs of rock and roll ("Chokin' The Pearl") and have successfully
spit out 13 tracks of L7-esque power rock. Be warned and fear the
beaver. Indie rock at its finest. (www.ridethebeaver.com)
Swallowing Shit • Swallowing Shit
G7
This Canadian noise band pulverizes through 15 plus
tracks of under 1 minute rants and musical raves on their CD. What's
the point? Hard to say, but they seem opinionated, especially after
reading their liner notes. For those that subscribe to the Short
Attention Span Theater, this CD would be perfect for you. Ultra heavy
and super fast, it's like SOD without the humor. So, is it worth
it? Up to you, dear listener. (P.O. Box 27006, 360 Main Street Concourse,
Winnipeg, MB R3C 4T3 Canada; defechrist@hotmail.com)
Red Harvest • Cold Dark Matter
Relapse Records
Red Harvest is an earth shattering group that mix
industrial noise with black metal to create a sonic concoction. Imagine
the sheer power of Ministry ("Absolut Dunkel Heit") meshed with the guitar
savvy of Sepultura ("Junk-o-rama") and the noise quotient of Godflesh ("Move
Or Be Moved") and this band is made. Loud and heavy as fuck, these
Norwegians have got all systems on go and aren't afraid to rip your face
off with a guitar riff or a techno blast beat. All hail the cyber
metal age! (P.O. Box 2060, Upper Darby, PA 19082; www.relapse.com)
Buel 36 • Battle of the Space Hookers
Top Fuel
From Ratt frontman Stephen Pearcy's label comes a
quartet whose '80s metal pretenses shows underneath their tough, neo-metallic
shell. Buel 36 has got the bass a thumping and the guitars all heavy
and booming ("Just Go"), yet they have vocals that not only overlap each
other, but they also span decades as well ("I Can't Sleep At Night"), with
ranges that only Halford, Bach and most house pets can only reach.
Seemingly contrived at times ("All Gonna Die"), they sound like a hair
metal band with a really intense makeover, which really isn't as irritating
as one may think. The future of cock rock? Perhaps this outfit
has got the answer. (www.topfuelrecords.com)
Knut • Bastardizer
Hydrahead
Knut is a Swedish hardcore band whose nine song CD
is as heavy as it gets without losing focus and becoming sheer noise ("Crouch").
And while you wouldn't associate Knut with being a melodic outfit
right off the bat, these guys have got a strong, dare say Korn meets CHAOS
AD Sepultura sensibility ("Engine," "Wiped Out") which makes their crushing
hardcore chaos that much easier to enjoy. Easily one of the better
heavy, screaming bands out there today, pick this CD up and bust a Knut!
(www.hydrahead.com)
The Bellrays • Grand Fury
Uppercut
The Bellrays are a retro outfit that rock out like
they were guest appearing on Laugh In. This quartet take their 13
high-octane tunes and belt them out with passion and conviction ("Too Many
Houses In Here," "Snake City"). The key to their success is not only
the masterful songwriting, but also the female lead vocal, which is not
only soulful ("Have A Little Faith In Me") but packs an unsurpassed wallop.
Imagine 60's era Tina Turner jamming with Creedence on a hazy afternoon
("Stupid Fuckin' People") and The Bellrays are what transpires out of that
vision. This is a band that takes their rock serious and it shows.
If you yearn for good, hard edged soulful rock and roll, be prepared to
be blown away by the nuances of this band. (4470 Sunset Blvd #195, Los
Angeles, CA 90027; www.uppercutrecords.com)
Vitriol • Vitriol
Neurot
This CD is for the nature lover in you. It
should be stocked right by the CDs of all the dolphin noises and waves
crashing against the rocks. Vitriol is a meditative and introspective
journey through music and sound that one guy spent a year in seclusion
recording and mastering and ultimately wasting our time with. Unless
you're planning some hermit type vacation or are in need of a spiritual
cleansing, steer clear of this one. (P.O. Box 410209, San Francisco, CA
94141; www.neurosis.com)
Demonicon • Condemned Creation
Root Of All Evil
Demonicon is another band in a long line of death
metal outfits that scream, pound and churn out "some of the sickest and
brutal death metal" this side of Hades. First off, they play adult
contemporary in Hell, and secondly, while these guys have got the chops
to take their vehicle of doom off the ground ("The Burning Starts Again"),
they're really not doing anything worthy of Beelzebub's right hand.
Yes, they are a savage outfit whose riffs are bruising and whose vocals
are shrill and evil, but are they worthy of the exalted status? Not
quite yet, but they are an extremely sturdy metal machine that grinds out
some tasty death metal tidbits for you hungry metal mavens to snack on
("Exile Ingrown"). (636 N. Snelling Avenue, St. Paul, MN 55104; www.rootofallevil.com)
Running Late • The Road Less Traveled
Running Late hails from sunny California, and this
quartet definitely wears their home state on their musical sleeve ("Walk
Away From The World"), as they emulate the West Coast punk sound well on
their latest EP. Packing an ultra melodic punch on their six
song offering, Running Late provides a spirited sound that is slightly
sanitized for a mass appeal, a la Blink and New Found Glory ("22 Reasons").
Very listenable and accessible, these guys may be in store for more familiar
roads in the months ahead. (www.runlate.com)
Isis • SGNL>05
Neurot Recordings
Isis is one of those artsy hardcore bands that everyone
seems to love because they are so "different" and so "groundbreaking".
Their latest five song EP reinforces the accolades. Sort of.
Isis is definitively different, almost in a Clutch meets Dillinger Escape
Plan way ("Divine Mother"). Yes, they are noise and sample driven.
They can be hard to decipher when you're left to wonder what the hell the
goal of the song is when they leave in 3-minute intros of alien soundscapes
without a vocal or any predominant musical instrument. But, they
can also be melodic and can whip you into a frenzy. And no, they
aren't for everyone. But, these guys are arguably the masters of
the build up ("Constructing Towers"). If you'd like to see what kinds
of sounds are made when you mix ambiance and chaos, then check these guys
out. (P.O. Box 410209, San Francisco, CA 94141; www.neurosis.com)
Blacktooth • Caught
Exit Only
Blacktooth is a California outfit whose eight-song
disc is a fine union of metal and punk. While the intros of the songs
usually draw you in for a white knuckle ride into heavy metaldom ("Civil
Disorder"), the vocals soon kick in and you're whisked away into punk valley
("Burn"). This contrast is what keeps this quintet an interesting
group, as they keep the listener on their toes. Even if the punk
that
these guys play is almost overwrought with redundancy, it's the dual guitar
attack that mixes NYHC with West Coast power punk that keeps this boat
afloat ("Achieve"). Kind of reminiscent of a mix of Suicidal Tendencies
and All, Blacktooth is a solid band that would probably raise a ruckus
live. (695 Azure Hills Dr., Simi Valley, CA 93065; blacktooth420@aol.com)
Spirit Caravan • Elusive Truth
Tolotta
Holy retro, Batman. Wino and company have returned,
with some of the finest stoner anthems this side of 1976 ("Cloudy Mirror").
Spirit Caravan returns with 11 tracks of stoneground goodness, complete
with a sludgy rhythm section and Wino's custom-made Lemmy light vocals.
The prototype for most of the stoner rock out there is arguably in part
due to Wino's past and present doings, and he stays true to form on the
SC's latest ("Elusive Truth," "Outlaw Wizard"). Providing some chunky
riffs and go-go rhythms suitable for burning ("Retroman"), this power trio
shows just exactly whose got the fire. Crank it up and lose yourself
in the Sabbath-esque swagger and '70s cheer that is Spirit Caravan. (P.O.
Box 4412, Arlington, VA 22204; www.tolotta.com)
Guano Apes • Don't Give Me Names
Supersonic Records
Guano Apes are a female fronted hard rocking quartet
from Germany whose latest 15 track CD is chock full of dynamic changes
and emotionally charged grooves ("Mine All Mine"). Catchy choruses
pervade your brain as the sultry female vocals take charge and lead the
danceable hard rocking rhythms ("No Speech"). Funky and free, Guano
Apes take the listener by the ears and give them a lot to shout about,
from the Garbage meets No Doubt vocal delivery ("Living In A Lie") to the
punkish drive of the guitars ("Money & Milk," "I Want It"), to the
left of center rhythms ("Gogan") that float throughout the album.
If you are a fan of female fronted rock acts, Guano Apes are not to be
missed, as they provide a true alternative to the condensed, cookie cutter
creations of the American music mainstream.
Shockwave • Omega Supreme
Triple Crown Records
Are you ready for bruising pit styled hardcore that
has a Transformer fetish? Well, get ready, because here comes the
23 track onslaught from Shockwave, a band whose identities are as unknown
as Brujeria's and whose musical output is seemingly as potent. For
a baseball bat to the head akin to the pounding a Madball or Sick Of It
All album would give you, try this bad boy on for size. (www.triplecrownrecords.com)
Witchery • Symphony For the Devil
Necropolis
Metal was made to sound this way, as Sweden's Witchery
aptly explain on their latest 12 track offering. While this blistering
quintet don't actually state that claim anywhere, they more than subtly
hint at it with their molten brand of metal, which combines thrash ("Bone
Mill"), groove, death and straight up metal in a succinct package suitable
for mass destruction ("Called For By Death"). Melodically maniacal
and cranially crushing, Witchery sounds like the perfect amalgamation of
The Haunted and Cradle Of Filth ("Requisition") with a hearty heaping of
Slayer mixed in ("Omens"). Lock down the horned hand on this one,
folks, as these Swedes will get your blood pumping and give you that warm,
fuzzy feeling that metal is very much alive and terrorizing in the year
2001 and beyond. (www.necropolisrecords.com)
RAFR Volume 3
RAFR
Rock And F*cking Roll Records strike from the underground
once again with a 71 minute, 28 track compilation that highlights what's
shaking in the rock scene that doesn't primp, pose or cater to commercialism.
While many of these bands are mainly punk bands who owe a lot of their
style to Iggy, The Ramones and punk in general, the main focus is that
they are keeping the grounds as unsanitary as ever by playing loud, saying
what they want and eventually, overcoming your stereo with the rebellion
that rock and roll was made to do. Standouts include Motochrist,
The Bullys, Bellvue, Short Fuses and Damnation, but the overall lineup
is solid enough to keep your interest for the duration of the disc.
Rock And F*cking Roll, indeed! (www.rafr.com)
Rabies Caste • Let the Soul Out and Cut the Vein
Earache Records
While the title of the latest from Russian bred trio
Rabies Caste isn't exactly an act of kindness, it aptly describes the kind
of sludgy, grinding and utterly disturbing sounds you'd find on their 10
track disc. Falling somewhere in between Will Haven and Godflesh
("Prove Me"), their slow burning riffs and mechanically churning rhythms
have the uncanny ability to leave your brain mangled and your senses in
a twist ("There Is Nothing You Have Seen"). To truly enjoy this disc,
as well as Rabies Caste as a whole, you need a lot of patience and a penchant
for noisecore, both of which this outfit thoroughly displays ("I'm So Tired").
(www.earache.com)
Nephasth • Immortal Unholy Triumph
World War III
Does every death metal band these days have a name
that's shy a few consonants? Well, if Brazil's Nephasth is any indication,
the answer is yes, but don't let their phonetically correctness fool you.
These guys are on a mission to not only leave your eardrums bloody, but
to also live up to a long legacy of metal greats that hail from their homeland.
With a strong grip on the blast beat drums meets guitar crunch combo ("Useless
Cross") and vocals that sound as demonic as any one else on the scene,
Nephasth definitely help to maintain the lineage of Brazilian brutality
which Sepultura and Krisiun have carved. (www.wwIII.com)
Avenged Sevenfold • Sounding the Seventh Trumpet
Good Life Recordings
Avenged Sevenfold is a California quartet whose musical
influences run the gauntlet and turn up all over this 13 track effort.
>From raging hardcore ("Streets") to So Cal punk rock to teeth gnashing
metal parts, AS display their knack for all of these styles, and are confidentially
capable of steamrolling through all of them ("We Come Out At Night"), sometimes
all in the same song ("Breaking Their Hold"). With a hint of AFI
("Lips Of Deceit") in their mix and a spark of Guns And Roses in their
piano laden melodic warblings ("Warmness Of The Soul"), these guys prove
that they may be the renaissance band that the heavy music world is looking
for. You can be the judge by checking this outfit out. (www.goodliferecordings.com)
Ancient • Proxima Centauri
Metal Blade Records
Ancient is a long running black metal band that have
stuck to their guns and continued to pound out some of the genres more
adventurous outtakes. Ancient's latest 12 tracks show this Norwegian
metal machine in fine form, complete with epic guitarwork ("Apophis"),
Gothic flavored vocals and a flare for the macabre ("Satan's Children"),
a staple of Ancient's repertoire. While the imagery is a bit played
out and the whole makeup and costume act is laughable, what's not a joke
is Ancient's grandiose approach to metal ("On Blackest Wings"), which maintains
bleak lyrical content and multi textured musical output for an album that
ranks up there with King Diamond and Cradle Of Filth in terms of horror
rock. (www.metalblade.com)
Lesliwood • Ms. Led
Fish the Cat
Lesliwood is a female fronted rock outfit whose indie
rock stylings fit somewhere in between The Lillith Fair and Lollapalooza.
Their latest nine track release showcases some strong songwriting ("Apology"),
while the performance is as equally as powerful, almost evoking a Natalie
Merchant-esque feel. Lesliwood is also adept at mixing alternative
grooving ("Come To Me") with lo-fi indie rocking ("Dare Me"), creating
a sound that may best be described as Jewel fronting Nirvana. For
a musical boost with a different feel, check out this Northwestern group.
(www.lesliwood.com)
Serotonin • Universal Time Constant
Bifocal
Serotonin is a left of center quartet from Tennessee
whose math rock twin guitars and indie rock style stains their eight tracked
assault. While these guys prefer to subdue the listener with a barrage
of guitars and bass sans crushing distortion, they still manage to drill
a hole in your skull ("R Is For Rock"), albeit subtly. Unmetrically
funky and odd timely rhythmic, Serotonin have got the groove in their head,
but it's up to you to figure it out ("Dear Consumers," "Eyes Reflecting
Images"). A challenging release to the educated rock aficionado.
(www.bifocalmedia.com)
Lit • Atomic
RCA Records
Lit is a radio friendly band with bite, so it's no
surprise that their latest 13 track release contains more of the same hook
happy and lyrically clever concoctions that made this California quartet
all the rage about 18 months ago. While many of the tracks on Atomic
scream 70's arena rock ("The Last Time Again," "Lipstick And Bruises"),
complete with creamy chorus and guitar riffs that cry out to be heard on
a K-Tel compilation ("Next Time Around"), Lit also strip things down for
the ladies ("Happy In The Meantime") for maximum selling power. Truth
be told, Lit's latest gives a hearty nod to a time when the music did the
talking and the band lived the lifestyle to the excess. If you like
the California rock sounds that Smashmouth and Sugar Ray currently employ,
chances are the new Lit album will please you as well. (www.litlounge.com)
XIII PFP • Words Left Unsaid
Doubledown
XIII PFP sounds like a secret ingredient in food
that causes some catastrophic effect, but in fact, it is a unique hardcore
outfit from Pennsylvania. And what makes this band of bruisers so
different is their usage of horns in their heavy handed attack. It's
an effect that needs to be heard, because it's possible that you're thinking
gay ska horns like every other wanna be band employs, but such is not the
case. Imagine symphonic Pink Floyd meeting Converge ("Breathe You
Out") and you'll see what I mean. Some interesting and overall kick
ass material that needs to be heard. (http://move.to/xiiipfp)
Moonspell • Darkness and Hope
Century Media
Besides Type O Negative, there aren't really any
well known Gothic metal outfits, but Portugal's Moonspell sets out to change
this with the release of their latest 11 track offering. With a firm
foothold with all that's slow, deep and hard, from the pounding rhythms
to the bellowing vocals that go lower than a snake's belly, Moonspell set
an eerie atmosphere to light candles by ("Nocturna"). Powerful and
emotionally charged ("Heartshaped Abyss"), with hints of exploration ("Ghostsong"),
Moonspell's journey into romanticism whisks the listener away into a faraway
place where vampires and castles reign supreme. If you dig the whole
Gothic scene, Moonspell's latest is a must have release. (www.moonspell.com)
Trapped In Life • Blood and Gold
Final Beatdown
Trapped In Life is a tough guy hardcore outfit from
France whose four track release is pretty sub standard when matching it
up to other tough guy groups. With garbled vocals and basic breakdowns
leading the charge, how good could it be? Nothing special to tell
you about here if you don't own All Out War or Madball CD's already.
(www.finalbeatdown.com)
Kevin Henry • East On Sunset
Grand Mariner
Kevin Henry is a Midwestern singer songwriter who
has cut his teeth on both the LA and NY scene, and it shows on his mature
and introspective 11 track release. Massively produced and wonderfully
instrumented, this album doesn't necessarily rock (unless you think Broadway
show tunes and Ben Folds are the bomb), but it does provide some heartfelt,
honestly penned tunes that are masterfully performed. While Kevin
Henry isn't going to be touring with Slipknot anytime soon, he may just
pop up on another primetime sitcom, like his last single did on NBC's Friends.
For a soft rock kick, Henry is your choice. (www.kevinhenry.com)
The Beltones • Cheap Trinkets
TKO
The Beltones are a punk rock quartet from Florida
whose 13 track release showcases some gritty punk rock that has got both
melody and balls ("Shitty In Pink"). These guys seem to be one of
the more aggressive bands on TKO, and it's this kind of delivery that catapults
them above the average pub punkers and puts them in a league that rivals
Zeke and Reducers. Catchy but not syrupy, The Beltones skillfully
walk the line between infectious harmonies and anger ridden madness ("Better
Than A Kick In The Head"). For a punk rock affirmation, check out
The Beltones. (www.tkorecords.com)
Filthy Thieving Bastards • A Melody of Retreads
and Broken Quills
BYO Records
Filthy Thieving Bastards are the side project of
members of the punk band The Swingin' Utters, and it gives them a chance
to kick off their shoes and take it back to the village, sans amplification.
But, FTB aren't just an Utter side band, as the singer from Me First And
The Gimme Gimme's and members of Camper Van Beethoven also lend a hand
in the homespun acousticality of the 15 track disc. Comparable to
the Pogues and definitely an album that both punk rock you and your Irish
grandfather could sit around and drink a pint to, Filthy Thieving Bastards
are perfect pub music for the whole family, as dysfunctional as you may
be. (www.byorecords.com)
Ozzy Osbourne • Down to Earth
Epic Records
The madman of metal returns triumphantly with a collection
of tunes that took way too long, but are ultimately worth the wait.
Ozzy shuns retirement once again and returns in stomping form, backed by
his tightest band in years (Zakk Wylde, Robert Trujillo and Mike Bordin).
While the Godfather of Metal hasn't sounded this heavy since No Rest
For the Wicked ("Gets Me Through," "That I Never Had"), he also goes
for the heartstrings in true Ozzy fashion, with (thankfully) a few ballads
that rival other Ozzy cigarette lighter faves of yore ("Dreamer").
What else is there to say about Ozzy that either hasn't been written or
the man himself hasn't done? Not much, so do yourself a favor and
support Ozzy in his twilight, as the guy still knows how to rip up the
music world, both live and on CD. (www.ozzy.com)
Angel Crew • Another Day Living in Hatred
Good Life Recordings
Angel Crew are as brutal as it gets despite their
cherubic moniker. This 10 track hardcore opus harkens back to the
days of Madball and Cro Mags when the bands lived the way the music depicted.
Raw and merciless ("Dying Breed"), their fast paced chunky riffs and breakneck
rhythms fit in quite nicely with your Hatebreed and Skarhead discs.
Keeping it real and heavy, these guys deliver on their claim, as this is
the closest you'll get to heavenly hardcore until the new Hatebreed drops.
(www.goodliferecordings.com)
Fireball Ministry • FMEP
Small Stone
Fireball Ministry return with a fistful of stoner
rock, with some clever cover tunes in tow, on their latest EP. This
2 girl, 2 guy juggernaut from California take it up a notch and turn up
the volume with their balls out heavy blues twin guitar attack ("King").
With the slow groove right on track and rhythm section that rides high
in a blaze of glory, Fireball Ministry provide eight tracks of fuzzed out
audio bliss that should be high on your list of albums to get, if not for
their solid originals, then definitely for their forays into 70's metal
("Victim Of Changes," "Muscle Of Love") and their spin on punk ("Cough/Cool").
(www.smallstone.com)
Thy Primordial • Under Iskall Troll Mane
World War III
Thy Primordial is a black metal quintet who is all
decked out in the black metal garb and has a real majestic feel to their
speed driven supersonic sound. Besides their titles all being in
a foreign language (in death/black metal, does it really matter anyway?),
the nine tracks that comprise Thy Primordial's metal epic are songs for
the death metal swashbuckler, who likes to sail the seas and bang his head
without repent. (www.ww3music.com)
Blow Up Hollywood • Blow Up Hollywood
Blow Up Hollywood is an ambitious project that combines
stark photographic imagery with tactical singer songwriter performances
that come to life via a self-titled 13-track release. While the amount
of information about the project's performers is mysteriously hidden, there's
nothing on this flawlessly produced disc to be ashamed of. Quite the contrary,
actually, as the crisp delivery of the well written rock ballads ("Kite")
have a Counting Crows feel musically with a more laid back frontman, which
adds a touch of sadness to the entire foray ("It's Not Me") a la Pink Floyd
in the latter years of Roger Waters ("Adrift"). Factor in a slew
of mood altering instrumental numbers, which dually borrow from the playbooks
of both Moby and Trent Reznor ("Beyond The Stars") and you've got an electronically
orchestral adventure with depth and heart on your hands. info@blowuphollywood.com
SSRI • Go Fight Win
New Jersey based SSRI's five song sampler is the
musical companion to a middle finger thrust in the air. While the
music is chaotically calculated enough to strike those violent chords and
still remain charming ("King"), these guys aren't as angry as they lead
on. Imagine The Misfits and Murphy's Law drinking with Sugar Ray
and Offspring ("Go Fight Win") and you get an idea of the vibe SSRI emits.
Smirky enough to be smartass and catchy enough to be gobbled by millions,
SSRI's punk rock tricks aren't groundbreaking, but they're well done with
enough conviction to allow their branching out to be acceptable.
www.ssrimusic.com
Fritz and the Side Effects • Fritz and the Side
Effects
Fritz and The Side Effects start out their four-song
sampler wisely with a bouncy Sabbath meets Toadies number ("Back Again"),
and maintain the big rock sound throughout the disc. With their big
rock sound comes a pop punk coating that gives them a cheekiness that shows
through the late 80's metal pretense and Smithereens-esque stomp.
Looking for a band to let your hair down to and rock out with that's just
loud and heavy enough? Fritz and The Side Effects are prime candidates
and would complement a Friday night out with the boys just fine ("Stuck").
www.fritzohara.com
Boiler • Cowtippin' in C Sharp
The Upstate NY bruisers known as Boiler return in
fine style on their latest 19 track release that mixes intermittent spoken
word moments and snippets of interviews with some of the most moshable
grooves this side of Clutch and Pantera. Boiler's specialty lies in their
deep bass and drum grooves, where the guitars switch from locking in and
creating a wall of sound ("Bottom Feeders") or goes off on a tangent that
kicks serious ass ("Quieting The Western Front"). Either way, Boiler succeeds
in bringing the same kind of low brow entertainment value that we'd find
at monster truck rallies, pro wrestling events and daytime television talk
shows to the world of metal, complete with a metallic stomp that walks
a mudhole dry into your intestines. Crack open a beer on the front porch
and enjoy the simple pleasures of Boiler's heavy-handed odes to white trash
America. www.boilerny.com
16 • 16
16 is a Los Angeles based outfit that successfully
meshes the vibes of both Van Halen and Tool, an unlikely combination, on
their 10 track release. They've got those booming low ends in tow much
like AENIMA ("Grip Of Delusion"), and yet they still manage to maintain
a rock and roll swagger, albeit a darkened one, like David Lee circa 1978,
too ("Fortune And Flames"). Monstrous vocals and direct lyrics keep this
band on the fringe a la Clutch ("Hearing Voices"), and with a huge rectified
guitar sound leading the charge, you've got all the elements available
for a band on the cusp to break out and do some damage to the unsuspecting
music industry. And, when a band names a song "Balloon Knot," you have
to hand it to their sense of humor. Folks, you've been warned. dinahve@earthlink.net.
Othersidenine • Othersidenine
Radio friendly melodies come to us courtesy of Othersidenine,
a New Jersey based outfit whose three-song sampler sounds like it could
have been released when hair metal was all the rage. Embodying fellow statesmen
Bon Jovi, these guys rely on candy coated choruses and slick production
to hammer their point home, and they do a fine job in the process, giving
their big rock sound an injection of the blues for some extra flavor ("Another
Restless Night"). If you're a sucker for well-dressed rockers being all
emotional and stuff, Othersidenine will surely appease you. www.othersidenine.com
Radiate • Transmission
Radiate make the most of today's technological advances
in the hard rock world on their three song EP. Mixing the tribal aggression
of Soulfly with the technical melodics of Filter, this New Jersey based
quartet combine a lot of different styles of heavy music successfully,
maximizing their sonic output. Industrial strength percussion helps the
band break the mold, while the NIN inspired vocals and angst keeps them
right at the brink of relaying teenager's pent up emotions everywhere ("Viral").
www.doyouradiate.com
Conquistador • What's Up Fireball
Conquistador is a NYC based outfit whose 13 track,
left of center approach to music should give them mad props on the college
rock circuit. Conquistador is seven members strong, and their mix of horns,
keyboards and straight ahead rock and roll ("The Cut Slot") is pleasantly
concocted for everyone's listening enjoyment. Need a fist-pumping anthem
to get the team rolling? They've got it ("Lotion"). How about a mid tempo
rocker with Moog effects and a British rock gloss? Check ("Sharkskin Mouth").
Maybe a country fried rap tune? Let's not get carried away, but damn, this
band is versatile enough to be thrown on at a house party throw down ("6116,"
"Bad Dancing License") or be listened to alone during some pensive moments.
If Weezer, Smashmouth, The Beatles and the latest MTV shoe gazer band were
to share a stage, it'd be in the form of Conquistador. www.conquistador.com
Detox Darlings • 2 song sampler
Good old-fashioned dirty rock and roll straight from
the bowels of NYC, the home of CBGB's and The Ramones, is what the Detox
Darlings are all about. This two-song sampler is loud, obnoxious, rude
and raucous, with a big guitar sound and a lot of drug references. If that's
not rock and roll, what is? www.detoxdarlings.com
Slidebolt • From Love II Hate
Slidebolt is a New Jersey rock band whose six-song
disc finds the quartet walking the line between radio friendly and moshpit
heavy. Imagine the emotive side Staind mixing it up with a NYHC band ("Separate
Paths," "Without Regard") to understand where this genre-hopping outfit
comes from. Slidebolt's success lies in their ability to build a song,
as they compose songs that start off slow, but dynamically rise to the
occasion ("Fallen"). They even do a spirited version of LL Cool J's "Mama
Said Knock You Out," showing that their interests don't just lie in the
land of guitars. Not bad for a band of suburban Jersey kids. Slidebolt's
compositions and dynamics set them head and shoulders above the rest of
the tattooed rock pack. www.slidebolt.com
The Krays • A Time For Action
TKO Records
Hailing from NYC, The Krays latest 13 track release
finds the boys in fine form, playing old school punk rock the way it should
be played, loud and proud. Anthemic guitar riffs and passionate choruses
("Mindless Army") lead The Krays through the underbelly of the NYC scene.
Giving props to everyone from Agnostic Front ("Part Of Change") to Diamondhead
("No Pity"), there's a little bit of metal in their Oi, but that's ok,
just as long as the facepaint only comes out during Halloween. Very melodic
yet armed with that undeniable punk snarl, The Krays show us that the time
for action is now. www.tkorecords.com
Alive • Rock and Roll Star
Taking us back to a time when all we wanted was nothing
but a good time, Alive brings out the best the glam rock scene had to offer
on their four-song release. Sounding a lot like Bon Jovi ("Rock And Roll
Star"), Alive utilizes a dual vocal attack and a solid rock and roll formula
to get their point across. With a big rock sound and the image to back
it up, these guys seem ready to rock out The Rainbow or any Los Angeles
club. If you crave the times when big hair and bigger hooks ruled MTV,
Alive is the band to bring those glory days back. www.islandmanagement.net
Jerry Cantrell • Degradation Trip
Roadrunner Records
Jerry Cantrell is an artist who has experienced all
of the ups and downs of the rock music industry. From platinum albums to
personal tragedies, Cantrell's latest 14 track release shows a man who
has weathered the storm and is resilient enough to pick up where his commercially
disappointing yet spiritually uplifting Boggy Depot left off. This
time around, he enlisted the amazing talents of Ozzy's current sidemen
(Robert Trujillo on bass and Mike Bordin on drums), and lets loose with
some of the most stunning music he's put out to date. Sounding a lot more
like the early, riff heavy Alice In Chains ("Bargain Basement Howard Hughes,"
"Angel Eyes"), Cantrell shows why he is quite possibly one of rock's most
underrated performers. Showcasing his solid fretwork as usual, the dirty
rock sound that we've come to expect is back full fledged ("Castaway"),
and Cantrell even goes a bit on the acoustic side, too ("Solitude"), creating
jarringly haunting moments of melody. Cantrell always had his hand in a
lot of different musical pies, and Degradation Trip is no different,
as Jerry mixes the down home sounds of country rock ("Gone") with some
of the more searing metal sounds heard today ("Chemical Tribe"). Judging
by his latest release, Cantrell isn't going away anytime soon, as he solidifies
his place in the annals of rock and roll as not only one of the most talented
guitarists of the '90s, but also as one of the most prolific solo acts
on the scene today. Is he the new version of John Fogerty, a man who tasted
success with both an amazing rock band and solo as well? Despite their
situations being very different, there's no denying that there's a parallel
between them both, and only time will tell if Cantrell can persevere through
the pitfalls his career has undergone. Let's hope he deals with his demons
by creating more gems like Degradation Trip. www.roadrunnerrecords.com
The Bad Vibes • Hate Your Everything
Steel Cage Records
Talk about a negative approach! Just check out the
album cover, which depicts a noose and a hanging man. How's that for to
the point? Philadlephia quartet The Bad Vibes are an angst ridden, unapologetic
and overall ferocious band who pull no punches and probably have very few
friends. Their latest 10 track ode to hate is not for the weak of heart
or of mind. Punk rock hasn't sounded this angry in a very long time, thanks
to The Bad Vibes' venomous rants and bare bones, straight forward three
chord assault. Think Zeke meeting Motorhead on a very bad day and you can
only imagine what kind of anger can be displayed in a less than 30-minute
span. Make sure you're socially adjusted before popping this puppy in,
or else very bad things are prone to happen. www.steelcagerecords.com
40 Below Summer • Invitation to the Dance
London
New Jersey's 40 Below Summer are one of the many
nu metal bands out there trying to establish themselves in the land of
Korn and Linkin Park. With the unveiling of their 12-track disc, they do
an adequate job in giving the metalhead a lot of diversity. This quintet's
arsenal contains some passable rapping, a slew of filling rattling bass
grooves and a cohesive twin guitar attack whose riffs, besides being sinfully
heavy ("Power Tool") possess a good sense of dynamics to boot. While they
sometimes fall into the generic heap with Limp Bizkit-esque primping ("We
The People"), they also prove that they can hammer out a song that has
depth and soul, and still rips your face off ("Wither Away," "Falling Away"),
complete with hammering riffs and a catchy refrain. While 40 Below Summer's
latest isn't groundbreaking, it solidifies the band as a solid contender
alongside the likes of Il Nino, Soulfly and some of nu metal's burgeoning
acts thanks to some sturdy songwriting ("Rejection"). www.london-sire.com
Mr. Scrillion • Anti-Hero
Goldfinger
Mr. Scrillion is a rap rock act whose 15-track release
is a byproduct of the wigga generation and MTV pushing urban artists to
the suburbs. Not a whole lot of brains went into this one, folks, as a
pseudo Keith Sweat voice and boastings about sexual conquests may work
with a few platinum records on the wall, but not with these production
values in tow. And if this guy paid royalties to all of the artist's he
ripped off, he'd be broke in less than a month. Anti-Hero is good
for a frolicking in the frathouse, and sadly, not much else. www.adamthick.com
Stuck On 8 • Stuck On 8
Stuck On 8 is a lighthearted rock outfit from NYC
whose latest release showcases the band's love of rock that spans through
the years. A little bit of Hendrix ("Feeling Cool"), Dave Matthews ("J***")
and Green Day are all apparent here, with their busy basslines complementing
a smooth guitar and vocal delivery quite nicely ("The Deal"). While the
majority of the tracks are acoustically tinged, they still have a strong
rock foundation behind them, even plugging in at times for some electric
jams ("Silicone"). A well rounded outfit who mix in the ballads between
the rockers with flare ("Never Seen"), Stuck On 8 is a modern rock band
that hasn't forgotten their roots and build off of them with success. www.stuckon8.com
Heidnik • Nothing
Too Damn Hype
Jarring and unsettling, the music that Heidnik makes
isn't easily digestible, and that's exactly how this Philadelphia based
noisecore quartet like it. Meshing the underlying crunch of hardcore with
shades of Will Haven's spacious atmosphere, the quirk of Mr. Bungle and
the explosive precision of any Relapse band, their latest nine-song endeavor
takes extreme music to the left of center. Metal and noise and everything
that's depraved are what Heidnik specializes in, and they really mix their
entire demonic ingredients well, including their comical (although unintentional)
sound bites in between songs. For a taste of something that the mainstream
will never even attempt, check the savage grace of Heidnik. www.toodamnhype.com
The Dillinger Escape Plan • Irony Is a Dead Scene
Epitaph Records
As if the cacophony produced by The Dillinger Escape
Plan wasn't volatile enough, they release a four song EP with guest vocalist
Mike Patton, king of the offbeat side project. And while this is the closest
Patton has gotten to mixing his semi-metal FNM days with the insanity of
Mr. Bungle, there is no denying the power of DEP, as they more than match
up to Patton's wide range of vocal gymnastics with a slew of musical acrobatics
of their own. Despite this being a very short meeting of the minds, clocking
in at less than 20 minutes, it's bound to expand your musical horizons
more than you can even imagine. www.epitaph.com
Dead to Fall • Everything I Touch Falls to Pieces
Victory Records
Hard to believe that this intense five piece outfit
hails from Chicago, as they've all but mastered that European death metal
sound ("Cost Of A Good Impression") on their 11 track debut. But, the threat
is real; Dead To Fall has arrived, and you've been warned. Bringing the
slaughtered sounds made famous by such metal luminaries as At The Gates
and Entombed to these shores is no easy task, yet these metal mongers seem
more than up for the challenge, armed with some heavy duty riffs ("Like
A Bullet") and an unadulterated love for that melodic crunch. This is unbridled
metal, from the staccato guitars to the powerhouse drumming to the death
growls and screams ("Tu Se Morta"). Dead To Fall is primed and ready to
take the American metal scene by the throat, but is the scene ready for
a band of this magnitude? Check out their next moshpit and you decide.
www.victoryrecords.com
As Friends Rust • A Young Trophy Band in the Parlance
of Our Times
Equal Vision
Melodically sardonic and heavily sarcastic, Gainesville,
Florida's As Friends Rust's six-song release shows a band whose crunchy
musical delivery and heavy handed, thought provoking lyrics make for a
very declarative combination. Smarter than your average band and not afraid
to show it, AFR take smatterings of new wave, hardcore and hard rock and
make their own way, complete with a sneer and a parting shot at the social
consciousness of the masses ("The Most Americanest"). Mixing the power
of Sick Of It All with the fury of Avail with a touch of AFI ("Born With
A Silver Spoon Up Your Ass"), As Friends Rust provide an exquisite soundtrack
for the disenchanted youth that question authority and still manage to
get their aggressions out on the dance floor. www.asfriendsrust.net