"Mike's Reviews, Part 4"
by MikeSOS
Sponsored In Part By
Burnt By the Sun • Soundtrack to the Personal
Revolution
Relapse Records
Burnt By the Sun is a much lauded metalcore outfit
hailing from New Jersey, and their 10 tracks of audio mayhem are testament
to why this outfit is being heralded as the next best thing in the extreme
music world. Yes, they will crush you in the form that you expect
most Relapse bands to do so, with pummeling guitars ("Dow Jones And The
Temple Of Doom") and rhythms that make The Weather Channel run for cover,
but there's a lot more to this band than what a typical band of their genre
has to offer. BBTS also has an incredible feel for groove, and they
disperse this feel amongst their mammoth deathcore musings ("Famke") to
keep you on your toes and in awe throughout. Any God fearing metalhead
that likes it intricate and intense will find none better than Burnt By
The Sun. And that's a promise. (www.relapse.com)
Karma to Burn • Almost Heathen
Spitfire Records
Our favorite mute rock and rollers come back out
swinging with another 10 tracks of instrumental gold. Nope, we're
not talking about Zamfir here, it's West Virginia's favorite sons, Karma
To Burn. And they are still pumping out the finest hard rocking,
titled only by number boogie rock anthems that have no words, but have
soul as if they had Al Green and Lajon from Sevendust harmonizing on them.
Imagine Metallica, COC, Clutch and Sabbath in the woods, armed with enough
food for a month and a stage to play on, sans microphones, and that's the
output this trio amplifies us with. For a raging slab of feel good
heavy stomp and roll flavored with the bravado of Southern rock, Karma
To Burn's Almost Heathen is an album you must own. Rifle rack
and Confederate flag sold separately. (www.spitfirerecords.com)
Hoobastank • Hoobastank
Island Records
Hoobastank is cute enough to be a boy band, but don't
let the swooning teenage females fool you, this California quartet is an
infectious rock force. The 12 tracks that comprise this oddly named
outfit's debut are decisively 90's rock oriented, complete with heavy handed
riffs meshed with harmonious vocals and killer choruses ("Remember Me,"
"Hello Again"). And while the comparisons to fellow statesmen Incubus
can be on the mark in many instances ("Let You Know," "Better"), Hoobastank
have enough depth to not only follow a path well traveled, but also add
their own distinct footprints on the trail ("Running Away," "Ready For
You"). Hoobastank are a great band with a terrible name that will
defy all of your pretenses of what California dreaming is all about.
(www.hoobastank.com)
The Tash Brothers • See You in the Morning
The Tash Brothers are a NY based outfit that banded
together to cut an impassioned three song demo that has many ties and reflects
on the attacks suffered on 9/11. Their heartfelt output is laden
with melodies a la John Cougar ("Where You Been So Long") and contains
some of the finest female backup vocals heard in rock today. With
a tinge of country twang in their classic rock mix, The Tash Brothers seemingly
unite the spirit of a broken city through the gift of music, and parts
of their proceeds go towards the New York Daily News fund in a sign
of remembrance and all for a good cause. (lourob@ivillage.com)
In Aeternum • Past and Present Sins
Necropolis Records
In Aeternum's latest release is a greatest hits of
sorts, but these songs were never hits per se as much as they were metal
opuses able to crush your cranium and leave you in a hapless heap of humanity
by the side of the road. Oh, and they also do not one, but two heavy
metal cover tunes ("Venom's "Countless Bathory" and King Diamond's "Abigail")
besides the other 12 tracks in a surefire attempt to give you the most
metal for your money. More bang your head for the buck? You
bet. (www.necropolisrecords.com)
Himsa • Death Infinite
Revelation Records
Southern California's Himsa are a hardcore band in
many senses of the genre, yet they have a lot more to offer the average
hardcore listener than pit styled madness, although they are as adept as
any band in that aspect. Featuring guitar runs that have a Slayer-esque
feel and some of the most technical musicianship this side of Swedish death
metal (#2), Himsa envelope your ears with a unique blend of choppy hardcore
riffs that will have you swinging windmills. Imagine the brutality
of Strife with the chops of Snapcase, and Himsa's vision becomes clear;
let their musical machine destroy your illusions of what a hardcore band
should be. (www.revelationrecords.com)
Disaster Strikes • Disaster Strikes
Rodent Popsicle
Imagine Black Flag, Fugazi and DRI in a political
science class and the Massachusetts based punk/hardcore quintet Disaster
Strikes, the bastard child of such a concoction, is born. 10 songs
that hit such topics as worker's rights, misappropriation of funds and
a general contempt for the government are all here, and the music, chaotic
in a Suicidal Tendencies kind of way ("Fire") at times and paying much
homage to the early crossover sounds of punk and hardcore, hit just as
hard as an elbow to the jaw or the band's jarring social viewpoint.
They even go so far as to list a reading list of notable books the band
enjoys and thinks you should, too. If that's not direct marketing,
then nothing is. For a dosage of the truth served with a fist to
the mouth and a middle finger in the air, check out Disaster Strikes.
(www.disasterstrikes.net)
Burning Inside • Apparition
Crash
Burning Inside is a metal supergroup of sorts, as
the 10 track release boasts members of Iced Earth, Control Denied and Demons
And Wizards. And while this journeyman quartet have cut their teeth
and honed their craft in those aforementioned bands, they collectively
bring it up a notch on this collaboration, by adding dabs of finesse to
their death metal brutality ("Resurrection And Revenge"). It's this
kind of technical excellence, from the odd time changes and ominous keyboard
interludes to the shred guitar work ("Carnage Remains") that sets Burning
Inside apart from the rest of the death metal contingent. (www.crash-inc.com)
Watch Me Burn • 3 song sampler
Vomitcore
The California based Watch Me Burn is as intense
as any band can get, as their female fronted death metal assault is as
potent as any. But, they don't stop there, as this quartet of miscreants
utilize samples and sound effects to further their dynamic blitz of your
sensory system. Their songs are short, sweet and most of all, loud,
so brace yourself for a wild ride. (www.angelfire.com/mt2/watchmeburn)
Realm • Realm
Mangler Records
Hailing from a land where metal reigns supreme comes
the Queens, NY based Realm, whose five tracks of melodic metal harkens
back to the days of Dio, Manowar and other metal luminaries. With
strong religious and spiritual imagery in their lyrics, backed by a brazen
guitar assault ("Rest In Peace") and a solid rhythm section holding it
all down, Realm are in prime position to spread the good word through their
anthemic mix of old school metal. (manglerrecords@eudoramail.com)
Into Eternity • Dead or Dreaming
DVS Records
Into Eternity's latest 10 tracks mixes the aggression
of power metal with the technicality of progressive metal to create a molten
mix that demands to be noticed and will make sure that you are neither
death nor dreaming when listening ("Imagination Overdose"). Stirring
your senses with a dual lead vocal that hit the most punishing growls to
the sweetest of falsettos, Into Eternity dynamic blend is a virtual metal
potpourri, complete with pulsating rhythms ("Identify"), lucent guitar
runs ("Shallow") and flawless percussion work. This Canadian quartet
really know how to create a maelstrom of metal, and it's not only their
superb performances that catapult this release into the stratosphere, but
it also helps that the production is jaw droppingly stunning and the songwriting
is breathtakingly unabashed. If you love metal, Into Eternity is
a band you must check out. (www.dvsrecords.com)
Pack Of Wise • Pack Of Wise
Pack Of Wise is a NY based rock outfit whose three
song release showcases a band armed with a fistful of melody and whose
hooks are as catchy as the flu in February. Taking pages from such
rock acts as STP, Matchbox Twenty and The Wallflowers ("No Real Hero"),
this quintet is polished and primed for rock and roll mass consumption.
Thanks to a solid vocal performance with clever lyrical wordplay, and backed
by a sturdy chunk of pristine musical prowess ("For Openers"), Pack Of
Wise are ready to be plucked from the doldrums of the NY club scene right
into the limelight. (www.packofwise.com)
The Deal • Who's Pulling Your Strings?
Facedown Records
So what's the deal on The Deal? Well, for starters,
this California based quintet's CD starts out with a bang, courtesy of
a brief intro cover of AC/DC. From there, it maintains the attitude
with a fist in the air and hardcore punk bravado a la Agnostic Front.
The 12 tracks that grace The Deal's latest release are chock full of punk's
abrasiveness and the awareness of hardcore ("Ready When You Are"), and
are tinged with the band's strong religious belief. The Deal's sound
comes complete with power chorded melodics and enough scream a long refrains,
perfect for pile-ons come chorus time ("This Means War") and for slam dancing
mayhem. (www.facedownrecords.com)
Lostprophets • Thefakesoundofprogress
Columbia Records
Across the pond, there's a huge buzz about a six
piece nu metal outfit named Lostprophets, and by judging their latest 11
track offering, it's very much warranted. These guys take the sounds
that have penetrated the American rock radio (Incubus, Linkin Park, Papa
Roach) and add a brand new depth and breath to them. Is it the entrancing
melodies ("Five Is A Four Letter Word"), or is it the band's ability to
crush your head with a bone rattling riff ("Shinobi Vs. Dragon Ninja"),
only to fill it back up with a moody, soulful movement ("For Sure")?
It's a combination of it all, as this band shines like none on the scene
today. Meshing the imminence of Fugazi with the scorn of System Of
A Down, and successfully hitting homeruns on the continuum everywhere in
between nu metal's swagger ("A Thousand Apologies") to emo's sensitive
side ("...And She Told Me To Leave"), Lostprophets are a band that has
made an essential album for all fans of rock to embrace. (www.lostprophets.com)
Watchmaker • Kill.Crush.Destroy
Wonderdrug
Watchmaker is a five piece human wrecking machine
whose 30 some minute, 11 tracks of devastation are hazardous when operating
heavy machinery ("Mournful Visage"). A trail of butchered, battered
and black and blue remnants is what this outfit strives to leave the masses
in its wake, and when the smoke clears, it's a safe bet that everything
around this juggernaut has been destroyed ("Watchmaker"). If destruction
is bliss, then these guys are the happiest bastards on the planet.
If you dig All Else Failed, Relapse bands on a whole, or are just a sucker
for musical chaos, this CD will drive you over the edge. (www.wonderdrugrecords.com)
Djyche • Djyche
Djyche (pronounced Jik for those keeping score at
home) is a raw rock outfit whose four song sampler shows a lot of promise
for what it lacks in production. The songs are well thought out and
fun in a punk kind of way. This Tennessee quartet also seemed well
versed in mixing up the styles, from laid back bass grooves to straight
ahead guitar fueled numbers, but they need to up the production level in
order for them to truly burst on to the scene and out of the garage.
(www.djyche.com)
Blood For Blood • Outlaw Anthems
Victory Records
Blood For Blood has called it a day, sadly, but not
before they put out quite possibly their best work to date. Outlaw
Anthems definitely lives up to its name, as the 11 track disc seethes
with a middle class bark ("Love Song") and a bitter white trash, rabies
infested bite ("White Trash Anthem"). Real music for real people
that struggle with their bills, their families and with the everyday life
occurrences is the audience that these Boston bad boys target, and they
do so without sugarcoating a damn thing. Musically, the band takes
the wrath of punk with the hard hitting catchiness of hardcore. They
hit the nail right on the head, as their gritty lyrics and bonebreaking
music go hand in hand ("Some Kind Of Hate"). A rally cry for the oppressed
or a tell it like it is sojourn? A bit of both, as Blood For Blood's
no holds barred and no topic too taboo attitude heal the broken heart and
give hope to the hopeless. Shame to see them go, but they've left
behind quite a legacy to live up to and an audio catalog as a reminder
of the scene and its struggle. (www.victoryrecords.com)
Bush • Golden State
Atlantic Records
Bush has returned sans electronics (well, not entirely),
but decisively lessened on Golden State, their first album in quite
some time. And while Gavin remains as cheeky as ever, the music also
retains the visceral bite and pristine quality ("The People That We Love,"
"Solutions") that lifted these Brits from Nirvana knockoffs to the tops
of the charts in the '90s. The 12 tracks here show Bush at their
best, blending lyrically cryptic, mid tempo rockers ("Headful Of Ghosts,"
"Inflatable") that make the women swoon, with straight ahead shots of testosterone
filled guitar rock ("Hurricane," "Reasons"), a winning formula that these
guys know all too well. Producer D. Sardy does his part in thickening
up the mix, twiddling the knobs and catching the band during their sonically
finest moments ("Float"), which results in a thunderous comeback for Bush.
So is everything zen after all? Looks that way, indeed. (www.bush-music.com)
Mystic Circle • Infernal Satanic Verses
World War III
Mystic Circle is one of those costumed up scary looking
black metal bands that you have to think twice about taking seriously.
Their eight tracks of singing for Satan is very engaging if you like a
lot of Goth and gloom in your heavy music mix, but otherwise, it sounds
like the trillion other facepainted death metal troupes with a tad more
operatics thrown in for ambience ("Hordes Of The Underworld"). (www.ww3music.com)
Oblong Wheel • Why
234 Records
Oblong Wheel is a NYC based quartet whose hard rocking
stomp and Seattle sounding power groove carries them through their latest
seven track release. With an Alice In Chains-esque swagger, these
neo-grungsters keep the guitars low and dirty and the melodies dark ("My
World") when they pound out their aggressions for all to enjoy ("Believe").
If you dig Godsmack, Danzig or hard rock with a growl for a bark and one
hell of a bite, check out the sounds of Oblong Wheel. (www.234records.com)
The Cancer Conspiracy • The Audio Medium
Big Wheel Records
This outfit known as The Cancer Conspiracy is a dangerous
musical entity. This trio meshes prog rock, jazz, and hardcore to
produce a sound capable of alleviating all of your stress and tension,
but at the same time allow your rage to overcome your soothed soul.
It's this dichotomy that makes these New Englanders' latest six track offering
such a captivating experience. With enough meaty slabs to satisfy
the smarter hardcore contingent, coupled by an ample supply of musical
noodling which is never wasteful and always fulfilling, The Cancer Conspiracy
successfully blur the edges of what to expect and what you will extract.
If you're looking for a different mix that will shake you down to your
soul, look no further. (www.bigwheelrec.com)
Strife • Angermeans
Victory Records
Strife has returned to grace the hardcore scene with
their ominous presence, and it couldn't come at a better time, as the California
quartet's latest 10-track release is a welcomed comeback. Chugging
guitars ("Everything Stripped Away," "Angel Wings") and razorbladed vocals
are still the main weapons in their impressive hardcore arsenal ("Rise
Again," "Spill No Blood") but Strife also strays from the formula and touches
on some other influences that may not be as apparent to their usual slash
and burn style ("From These Graves") with great success. It's the
band's ability to stay brutal while branching out that make Strife's latest
release such a heralded reprise. (www.victoryrecords.com)
Dawn Of Dreams • Darklight Awakening
World War III
Dawn Of Dreams is a German metal clan whose nine
songs of molten metal madness sounds like Obituary with a hint of black
metal ambience thrown in ("The Sirenes Dreaming"). Pummeling rhythms
lead the charge ("Eclipse"), as this band, formed in 1993, are just putting
their debut album out now, eight years after their inception. Maybe
that's why Dawn Of Dreams seem a bit stale, as they don't do anything to
bedazzle and engage, but they do provide a sturdy, structured metal sound
("Desires Origin") that impassioned headbangers can't resist. (www.ww3music.com)
Very Metal • Hit and Run
Beer City
Very Metal is a Midwest quartet whose 14 track, 23
minute release dispels the bloat and bore of some of the heavy music out
there and goes to the jugular by extracting straight from the roots.
While the band's metal output is questionable (it's more of a punk/hardcore
thing happening), what can't be denied is their fervor to play loud, fast
and hard, complete with scornful lyrical content ("Jealousy"). While
the band isn't the most cerebral in the world, Very Metal aim low and strike
their target with skill and precision, knowing that behind every good rock
band stand big riffs and bigger balls ("Worthless"). A nice shot
of rock and roll spirit, courtesy of Very Metal is a remedy for anybody's
rock and roll ills. (www.beercity.com)
The Order Of The Fly • An Exquisite State Of Decay
The Order Of The Fly is a ghoulish band of five whose
debut 10 tracks of horror punk mix the brashness of punk with the melodies
of metal ("Let Me Die") to create a sound that resembles AFI and Gwar at
times. These California weirdniks back up their music with vivid
imagery and comic book fanfare that rivals a Hollywood production.
So is there room for another costumed metal band whose shock rock tendencies
may be a bit too much for Joe Q Public? Well, if they write catchy
songs that blend Misfits styled sing along swagger ("Succubus") with metal's
mighty swing ("Tear It Apart"), then yea, there's room for The Order Of
The Fly. (www.theorderofthefly.com)
Tomahawk • Tomahawk
Ipecac
From the brilliant and twisted musical genius of
Mike Patton comes another band in the long, eclectic line of Patton's musical
endeavors. So what makes Tomahawk such an entity, you may ask?
Besides the fact that the vocals are as gripping, stirring and striking
as ever ("Sir,Yes Sir," "God Hates A Coward"), it's the first time in a
while where real rock melodics comes into play ("101 North") on a Patton
project, with a tinge of hard rock a la Faith No More. It's not "Epic,"
folks, don't be misled, but it does have that stomp and swagger on it,
reminiscent of anything off of Angel Dust. Comprised of members
of Helmet and The Melvins, Tomahawk is as close to a '90s metal supergroup
we'll get until Jerry Cantrell's new release. Highlights include
the country fried acoustics of "Cul de Sac" and the chorus of the state
of the music world's "POP 1", where Patton proclaims in refrain "this beat
can win me a Grammy". If only the Grammys were that hip. (www.ipecac.com)
Monc • Guilty
Conglomerated Industries
Monc is a British artist whose lush soundscapes rate
up there with his countrymen's best bodies of work (Oasis, Radiohead).
Visceral and insightful, Monc's five track disc is a top notch production
that draws comparisons to Moby for its crossover appeal ("Oh"). Not
a dance album, nor a rock album, it's more of a loungy, jazzy type thing
("And The Girls Sing") that has 5:02pm Happy Hour written all over it.
Kick off your shoes and soak this CD in. (www.monc.net)
Align • Some Breaking News
Iguana Records
Align is a post hardcore outfit from Minneapolis
whose 10 track disc sizzles with stellar grooves, thoughtful lyrics and
a pop sensibility that most aggro rock bands lack these days ("Basement
Door"). While the standard bottom heavy riffages and staccato rhythms
are here ("B.A.M."), Align manage to take it up one notch by inserting
catchy choruses and memorable refrains within their intelligent aggressive
ramblings ("Bell Curve"). Drawing comparisons to the likes of Helmet
and Quicksand isn't a slight on these Midwestern post metal mavens in the
least; in fact, it's quite the compliment to praise them in such company.
If you'd like to hear a more mature Papa Roach or a harder edged Our Lady
Peace ("Weigh Me Down"), look no further than this emotionally charged
powerhouse. (110 Greene Street #702, New York, NY 10012; www.alignrock.com)
Vanishing Point • Tangled in Dream
Limb Music
So, you think Australia is all Koala bears and AC/DC
cover bands, right? Guess again, because straight out of Sydney comes
Vanishing Point, a progressive metal sextet whose technical melodies ("Never
Walk Away") rival Dream Theater or most Scandanavian metal outfits.
Heavy on the keyboards and the guitar melody lines ("Surreal"), Vanishing
Point have got a strong sense of how to write a hook laden chorus, almost
in the vein of Van Halen and Journey ("I Will Awake"). At the same
time, they can shred with the best of them ("Closer Apart"), making this
band a versatile machine that is capable of altering moods and maintaining
grooves. Vanishing Point is a solid metal band whose bound to appeal
to all fans of melodic hard rock. (P.O. Box 60 25 20, 22235 Hamburg,
Germany; www.limb-music.de)
Memory Garden • Mirage
Metal Blade Records
Something's gotta be in the water in Sweden.
How is it that so many good metal bands come from this region of the world?
Is it a climate issue? Whatever the case may be, add Memory Garden
to the list of accomplished Swedish metallers. Their latest 10 track
disc blends harmony and dissonance in a way that's make Judas Priest and
Megadeth very proud ("A Long Grey Day"). The one aspect that makes
Memory Garden a standout act is their blend of headbanging riffs with melodic
vocals ("My Pain"). Even though it's commonplace for metal acts to
have both nuances in tow, these guys do so with a fine sense of dynamics.
Neither force ever overpowers the other, nor does either entity drown the
other out, creating a surefire metal assault ("Navigate"). Memory
Garden provide some moonlit moments as well ("Yearning"), but on the whole,
this quintet bring heaping slabs of metal over tuneful vocals that are
sure to appease the metal fan in us all. (2828 Cochran Street, PMB
302, Simi Valley, CA 93065; www.metalblade.com)
Blackstorm • As Black As Thy Candles Burn
Darque Records
Blackstorm isn't your typical death metal outfit.
Seemingly influenced by the new wave of death metal currently receiving
attention in Europe, these American symphonic seducer's orchestrations
are chiseled within a sturdy Gothic metal framework ("Damnation Of
Kings"). While comparisons to Cradle, Dimmu and the like are warranted,
Blackstorm supercedes these likenesses by digging a bit deeper into the
well and coming up with more textured melodies and complex arrangements.
Produced by metal demigod James Murphy, Blackstorm's six song introduction
shows this quartet primed to take over the genre with their multi faceted
metal attack. You've been warned. (P.O. Box 566, Tempe, AZ
85280; www.darquerecords.com)
Uli Jon Roth • Transcendental Sky Guitar
SPV
Good Lord! The musical spirit of John Tesh
lives! Sadly enough, it's overcome former Scorpion six stringer Uli
Jon Roth, as this tepid, self indulgent instrumental project reeks of aroma
therapy and getting in touch with your inner child. This is worse
than any Zamfir album your mom ever bought. Discard at once, unless
you decide to drink the Kool-Aid. (P.O. Box 721147, 30531 Hannover, Germany;
www.spv.de)
Niblick Henbane • Go Away
TKO Records
New Jersey quartet Niblick Henbane have been playing
their brand of oi punk since 1987, and on their latest 11 track release,
they take us back to those magical years of the late 80's with drunken
melodies and sanitized punk anthems. Nothing to call home about here,
folks, just some solid pogo music ("Happy Happy Oi Oi," "Grin & Bear
It") that's great for frat parties and house parties when the folks visit
the relatives in the sticks. While this disc isn't going to change
your life, it's perfect for that Friday night kegger ("Old Hat").
(4104 24th Street #103, San Francisco, CA 94114; www.tkorecords.com)
Low Twelve • Flesh of the Weak
D Day
Low Twelve is a crushingly heavy quartet from Illinois
whose 16 track disc is not for the weak of heart. Strong enough to
rip the wallpaper off of the wall, these purveyors of all that is heavy
take a hardcore attitude and lay down face ripping riffs around ultra tight
rhythms to create a brutal sound whose urgency can't be denied ("Trench").
Brash and in your face, this is ass kicking music at its finest ("Crawlspace,"
"Thin Skinned"), complete with an incessant double bass drum assault and
vocals that sound like the singer swallowed razor blades prior to screaming
his lungs out (the way real metal should be played!) If you dig DRI,
Propain or brutal, driving music in general, these guys are your best bet.
(P.O. Box 4324, Bloomington, IL 61702; www.lowtwelve.com)
Boris • Absolutego
Southern Lord
What the hell is this that Boris put out? This
Japanese cult trio may call it experimental, perhaps, but one song that
equals one hour of basically fuzz and treble isn't exactly a musical masterpiece.
If you're privy to motion sickness, or if you really dug your annual childhood
hearing tests, you may dig this release; otherwise, just back away slowy
until the low rumble is way off in the distance. (P.O. Box 291967,
Los Angeles, CA 90029; www.southernlord.com)
Biastfear • All Angels Scream
Level Two
Biastfear is an Ohio rock outfit whose female fronted
hard rock is tinged with sultry melodies and a flare for different genres
("All Angels Scream"). While this isn't a concept that's groundbreaking,
this nine track disc succeeds because Biastfear lets the singer sing and
the band rock, both at an even keel. And this band does rock, complete
with heavy backbeats and a throbbing bass. Because of this, these folks
come off decisively heavier than most other female rock outfits ("Coming
Down"), barring Kittie. While the hip-hop flavor of some of the tracks
grows weary after a few listens, the overall outcome is that Biastfear
blend Garbage-esque vocal lines with some jarring riffs that would remind
you of some of the nu metal bands (Sevendust, Incubus) hitting the airwaves
("Don't You"). (P.O. Box 795, Berea, OH 44017; www.biastfear.com)
Quest For Nine • 4 track demo
Quest For Nine is a new NYC band making waves based
on their four track disc. This hybrid of punk, hardcore and
radio ready rock rages like the machine and hits harder than an NFL linebacker
("Diggin' Up The Ground"). Strong sense of melody mixed with a slew
of moshpit madness ("Frozen") help QON keep their chaos controlled and
the listener satisfied. While some comparisons are obvious (Rage,
311), Quest For Nine has a strong rock sensibility that many of their peers
don't showcase, which puts this new band a step ahead of the competition.
A solid new arrival to the NYC scene. (www.questfornine.com)
A Tribute to the Scorpions
Nuclear Blast
Beyond a doubt, one of the most influential metal
bands worldwide is the German outfit The Scorpions. Nuclear Blast
showcases this realization with this 19 track compilation. While
a lot of the newer, radio friendly Scorps material is covered here (which
doesn't remotely stack up to the older, grinding stuff), we still can get
a good sense of just why Klaus and company are so revered. From Disbelief's
filling rattling rendition of "Coast To Coast" to Stratovarius' truthful
cover of "Blackout," these updated versions are not bastardized messes,
but instead stay in the spirit and attitude of the originals. And
as an added bonus, SOD's classic 10 second cover song mayhem continues
here as well, which is reason alone to buy this disc. (P.O. Box 43618,
Philadelphia, PA 43618; www.nulcearblast-usa.com)
The Deep Eynde • Suicide Drive
Black Cabaret
The Deep Eynde is a neo-gothic quartet whose melancholy
melodies sound best after a John Hughes film festival. Their six
song disc hints at a punk rock undercurrent ("Deep Dark Secret"), yet these
California creeps have got a lot more Peter Murphy in them than Murphy's
Law ("Dead Alive"). Totally '80s? Definitely, complete with
Smiths-esque glide ("Superstition") and guitar vibrato in tow, The Deep
Eynde is poised to spearhead the '80s preservation society. (P.O.
Box 9805, N. Hollywood, CA 91609-1809; www.deepeynde.com)
Chaos Theory • Chaos Theory
The New Jersey quartet Chaos Theory is a band that
will bludgeon you with their simple yet effective metal assault.
No time for getting fancy on this six song scorcher, as CT take it upon
themselves to serve you with some serious helpings of thick guitar riffs
and drum beats that penetrate further than any porn star's most intimate
places ("Beat You At Your Own Game"). Keeping the guitars chunky,
the rhythms groovy and the vocals so in your face, you can feel the spit
in your eye ("Soulcage"), Chaos Theory have made a monstrous disc that'd
make fans of Prong, DRI and Biohazard quite happy. (ChaosThory@aol.com)
Foolproof • Estrangeland
There are a lot of bands out there that sound like
the California quartet Foolproof. You know the type, heavy guitars
laden with melody backed with a spirited chorus ("Marie"). Kind of
punky, kid of emo, a little bit of metal thrown in for good measure ("57-3"),
those type of bands. Well, Foolproof's 10 track disc is chock full
of those punkcore anthems ("Anywhere But Here") that take bits of Nirvana,
NOFX and Grade and come up with an amalgamation of sound. And
it rocks. Maybe because these guys have got the twin guitar attack
down to a Judas Priest-esque science, or maybe because these songs are,
despite very genre-familiar, well crafted tunes that stick in your head,
unlike the grocery store list or your homework assignment you forgot last
night. In any event, if you like songs of mild lament that rock,
this is the disc to check out. (www.foolproofrules.com)
Croatan • Curse of the Red Queen
Man's Ruin
Croatan is an odd duo whose primitive guitar and
drum assault is accentuated by female vocals to create this pseudo-Hole
moshpit extravaganza. Seemingly without a bottom end, these songs
do become grating after a few listens. Yet the L7 meets stoner rock feel
of it all ("The Grand Delusion") tends to turn the attention away from
what's missing and instead help showcase what's there. And that is,
besides noise, aggressive guitar work and a drummer with a penchant for
odd time signatures.
Overthhhrow/What Happens Next • Livin' La Vida
Loca
Soulforce
This split CD features hardcore from two continents,
as Spain's Overthhhrow and San Francisco's What Happens Next combine their
efforts to pout out this 28 track disc. Up first are the abrupt Overthhhrow
and their late '80s tinged So-Cal punk hardcore assault. Fans of
DRI and Suicidal Tendencies should dig their brand of crunchy punk ditties
("State Controlled," "Indocrination"). Despite their dated musical
endeavors, Overthhhrow does a noble job. Which leaves What Happens
Next and their pit style hardcore. A strong NYHC and East Coast influence
is shown on their 12 tracks, complete with grinding interludes and tight
breakdowns. Taking pages from Bad Brains ("WHN?," "Charmuda"), WHN
master the under-1-minute song with reckless abandon, perfect for their
style of play. A good idea with decent execution and an overall good
"unity" feel all over it.
Captain T • Sinister Ambassador
Artificial
Captain T is a rock outfit that mesh the trippy takes
of The Grateful Dead with Black Sabbath's sonic boom to create sprawling,
free form jams that'd make Phish want to take a hike back to their bowl
("Girls Inc.," "Heaven Jam"). Refreshingly heavy ("Ozzy") and spiritually
satisfying, Captain T speaks the language of groove and isn't afraid to
leave us with a translation. If the Foo Fighters were to mesh with
Medeski, Martin and Wood, this just may be what the output would be.
It's a safe bet to come aboard a rock and roll vessel when Captain T is
at the helm, because you know in you're in the hands of a band that can
take you anywhere you let your mind escape to. (5925 NE 80 Ave.,
Portland, OR 97218; www.captaint.com)
Operator Generator • Polar Fleet
Mans Ruin
Operator Generator is a sludgy hard rock quartet
that lay it down thick, like old school Soundgarden. Their eight
tracks of downtuned, doom laden grooves hit harder than most heavyweight
boxers ("Quaintance Of Natherack") and their Sabbath-esque melodies make
the sludge go down as smooth, albeit as slow, as a piece of toast smothered
in molasses ("Arctic Quest"). As bottom heavy as a bell curve, Operator
Generator take the time machine back to the mid 1970s and boost up the
volume to 11, just the way you need it. (2626 3rd Street, San Francisco,
CA 94107; www.mansruin.com)
Phantom Patient • Songs From Downstairs
Entartete Kunst
Phantom Patient makes normal ambient music look like
'N SYNC. This 16 track disc, broken into four parts, seems to be
a concept album, but it's up to you to figure out what's going on in here.
Reminiscent of Pink Floyd meets Roni Size, this disc doesn't offer as much
in songs that stand alone as it does offer a story linked through computerized
music, samples and sounds with some sort of musical understanding holding
it all together ("Simulate Success"). Something wicked this way came,
and its name is Phantom Patient. If David Lynch had access to Trent
Reznor's studio (which I'm sure he does on occasion), this is quite possibly
what it would sound like. (P.O. Box 411194, San Francisco, CA 94141;
phantompatient@altavista.com)
Anubis Rising • Opening of the Mouth
Demoncore
Anubis Rising is more than your average death metal
band, and that's a good thing. If these guys had to stand on their
death metal merits, they'd be lumped into the generic file with the quickness.
The difference lies in their explorative devices. No, not the anal
probe, but instead, their use of percussion, their trippy, space age panning
guitar effects and their overall jamming ability that lets the band survey
landscapes that many heavy bands, in an effort to stay true, wouldn't even
attempt. AR has a Mr. Bungle quality ("Emptiness") that propels them from
the predictable guttural vocal depths of death metal. Their five
track disc is a mixture of tired death metal and spirited adventure, so
if you're game, grab your knapsack and hop along. (Anubis_Rising@yahoo.com)
Onward • Evermoving
Century Media
Onward is, believe it or not, an American metal band
that plays classic metal a la Saxon, Helloween and the ilk. Their
eight track disc is blazen with lightning fast guitar runs, high octane
falsetto vocals and the stuff that'd give Yngwie and Steve Vai a run for
their money ("The Kindness Of Strangers"). Thematically in the same
vein as Dio and Savatage, Onward sing of tales of witches, rainbows and
myth with the best of them ("The Waterfall Enchantress"), all under a very
raise your fist and yell metal anthem banner. If you like your
metal in between the technicality of Fates Warning and the melodicism of
most Swedish metal bands, you'll be sure to get some of your rocks off
to Onward. (1453-A 14th Street #324, Santa Monica, CA 90404; www.centurymedia.com)
The Great Deceiver • Jet Black Art
Trustkill
Noisy and obtrusive, The Great Deceiver is a Swedish
quintet that mixes the mechanical tendencies of Godflesh with the balls
out aggression of Helmet to create an angry style of music. Machine
like in its sheer sonic boom, complete with hammering rhythms ("Jet Black
Art"), the Mr. Roboto feel is quite apparent on these five tracks, almost
sounding like a more hardcore version of Fear Factory ("Cornered Rat").
If you liked the smart, heavy post hardcore that was all the rage in the
early '90's, The Great Deceiver is somewhat of a blessing for you.
(23 Farm Edge Lane, Tinton Falls, NJ 07724; www.trustkill.com)
Southport • Nothing Is Easy
Go Kart
Southport is a three piece punk band hailing from
London and containing a founding member of Snuff. So, what does that
mean, exactly? For starters, expect a lot of guitar-driven, upbeat
punk numbers that basically stay at one moderately bouncy, poppy pace ("Morning
After", "Green"). Add in some lead vocals that aren't spectacular
but do the necessary punk rock guy singer job with conviction ("Work")
and what you've got is an above average punk outfit who aren't going to
break any new ground, but who will sound really good treading familiar
waters. Imagine what it'd be like if the Foo Fighters wrote all punk
songs and you'll see what Southport is all about. (P.O. Box 20, Prince
Street Station, New York, NY 10012; www.gokartrecords.com)
George Joseph • S. Rider Joseph
Game 7
George Joseph is an eclectic solo artist whose self
produced release contains 18 tracks of musical potpourri. Taking
smidgens of Zeppelin, Parliament, Hendrix, and James Taylor, his rock sensibilities
are strong, and his songwriting skills are well documented ("I Sold My
Soul"). While the use of a full time full band would strengthen many
of the album's tracks, the subtle nature of Joseph's raspy voice and bluesy
guitar speaks volumes ("Wind-Whipped," "Quench"). Very similar to
Beck, George Joseph seems to be on a mission to fuse a singer songwriter
style without a coffeehouse nearby, nor an acoustic guitar. An interesting
listen that would benefit from a team effort.
Drunk Horse • Tanning Salon
Mans Ruin
Good Christ, is it 1976? Well, if you heard
Drunk Horse, you'd think it was. Their 12 tracks of comfortable southern
stoner rock ("AM/FM Shoes") is the perfect companion for those days you
fix up the Dodge Charger on cinderblocks on your front lawn or French kiss
your first cousin. Yes, it's that delicious, folks. Everyone
from Sabbath to Skynyrd ("Vicious And Loathes") is an influence on this
hard rocking quartet, and these guys play hard, fast, down and adeptly
dirty rock that will singlehandedly knock you on your ass ("Tanning Salon,"
"Manchild"). Imagine the Southern rock bands you hear on those TV
compilation albums on steroids, and you've got an idea of what a band stronger
than an Oklahoma twister sound like. A nice dish of debauchery that
real rock fans will devour. (2626 3rd Street, San Francisco, CA 94107;
www.mansruin.com)
Nightwish • Wishmaster
Century Media
Nightwish is a Finnish five piece whose style is
an odd mix of Gothic rock, opera and cheesy metal that really needs to
be absorbed with a full attention span. Their 11 track disc hits
many of the same heights and reaches as many of the other female fronted
Euro metal groups ("Wanderlust"), but there's a certain polish that Nightwish
convey that puts them in a league of their own. Perhaps it's their
Broadway musical writing style ("Wishmaster," "Dead Boy's Poem") that sounds
half-Bohemian Rhapsody and half Lincoln Center theatric. Nightwish
is a very competent metal band whose strengths transcend standard
metal premonitions. (1453-A 14th Street
#324, Santa Monica, CA 90404; www.centurymedia.com)
WASP • Unholy Terror
Metal-Is
WASP has come back from the '80s metal comeback trail
and has put together a stirring 10 track disc that has their classic hard
rock sound in tow. Unholy Terror, like many of the previous
albums, has a conceptual thread of the falsehoods of organized religion
running throughout the album ("Charisma"), which makes not only for interesting
subject matter, but kickass metal songs as well ("Unholy Terror," "Raven
Heart"). Blackie and company pull out all the stops and in turn,
create a worthwhile and downright necessary metal album that stacks up
to any of their past albums. A triumph for a band who prove that
they're still alive and can still go at it like a beast. (1540 Broadway,
New York, NY 10036; www.waspnation.com)
Tad Morose • Undead
Century Media
Straight up melodic metal is what this Swedish quintet
delivers on their latest 11 track release. Imagine the slash and
burn rhythms of Mercyful Fate with the technical wizardry of Dream Theater
with the meaty delivery of Savatage ("No Tears In The Rain," "Where The
Sun Never Shines"), and out pops Tad Morose. Bang your head, folks,
these guys are the real deal, enough to give many of the established metal
bands a run for their money ("No Wings To Burn"). Tad Morose has
all of the standard metal sounds in tow, and use the twin guitar attack
and thunderous rhythm section flawlessly. Definitely an album to
check out for those who still hail the metal flag. (1453-A 14th Street
#324, Santa Monica, CA 90404; www.centurymedia.com)
Dozer • Madre De Dios
Mans Ruin
Another gem rolls out from the kind folks at Man's
Ruin. This time, the Swedes shed their metal pretenses and take form
in a boogie-fied rock outfit. Dozer is the band, and their 10 track
disc is the stuff that stoner rock dreams are made of. Plowing guitar
riffs with a 350 horsepower rhythm section ("Earth Yeti") and a slew of
Kyuss-inspired vocal lines ("Mono Impact," "tx-9") make this quartet something
to be adored ("Freeloader"). If you like your rock sludgy, heavy
and righteous, Dozer is the right place to head for getting your ya-ya's
out. (2626 3rd Street, San Francisco, CA 94107; www.mansruin.com)
The Forsaken • Manifest Of Hate
Century Media
The Forsaken is a death metal band that hails from
the metal friendly confines of Sweden. Their brutal style of death
metal isn't anything that needs explaining, yet it is a sturdy version
of many of the genre's leading bands (At The Gates, Arch Enemy, Carcass).
While the formula of what makes this quintet tick won't blow you away,
these metallers manage to create some crushing choruses, bonechilling solos
("Truth Of God"), and engaging vocals ("Betrayal Within Individuals") that
are, albeit expected, definitely worth a listen. A solid death metal
outfit whose originality is questionable, but whose ability is undeniable.
If you're a fanatic of that swinging Swedish metal sound, add The Forsaken
to your collection. (1453-A 14th Street #324, Santa Monica, CA 90404;
www.centurymedia.com)
Where Fear and Weapons Meet • Unstoppable
Triple Crown
Where Fear And Weapons Meet, besides having an engaging
band name, provide the listener with some of the more unique hardcore out
there in the scene today. On their seven track release, there's a
Snapcase-like intensity ("Control Denied") with an H20 pop-punk strand
going on that makes you stand up and pay attention. Burly rhythms
and brawny vocals give way to a strong sense of anarchistic melody ("Promise
Of Freedom," "Our Own Way") not unlike any punk band's "raise your fist
and scream" philosophy. Some potent stuff that's bound to blow up
in a big way for this Florida five piece. For those that enjoy Shutdown,
Shelter and Reach The Sky, this should be a welcomed addition to your CD
collection. (331 West 57th Street, PMB 472, New York, NY 10019; www.triplecrownrecords.com)
The Clay Pigeons • I Wanna Say It Before I Forget
The Clay Pigeons are a whirlwind of a band whose
sticky sweet harmonies and ultra catchy choruses ("Kissing Your Girlfriend,"
"Be With You") will make you an instant fan. Their five track disc
sizzles with infectious melodies ("Electric Stars") that make Matchbox
Twenty look like amateurs. Well crafted songs played with passion
is what this electrifying NYC quartet bring to the table, and it's refreshing
to see a rock band that doesn't leave the rock out of their reportraire.
Armed with clever lyrics, a super solid rhythm section, sassy fretwork
and rounded out by harmonica and piano, these guys satisfy every bit of
rock urge you may have. Do yourself a favor and get what you crave
by checking out these fine feathered foursome. (www.claypigeons.com)
Red Reaction • 2 song sampler
Red Reaction is a new outfit that take the East Coast
hardcore sound to heart on their two song sampler. Heavy and hard
hitting, these guys are primed for bigger and better things in the near
future if their intense preview is any indication. If you like the
East Coast sound merged with some melody, check these guys out. (www.redreaction.tsx.org)
Haste • When Reason Sleeps
Century Media
No sophomore slump here, folks, as Sweet Home Alabama's
Haste unleash a barrel full of metal on their latest 11 track disc.
And if you dug their first disc, man are you gonna dig this. Heavy
in all the right places, Haste wastes no time in laying down the foundation
for a dynamite album ("Brand New Opposites"). Complemented with the
use of two lead singers that get that hardcore metal vibe just right, the
six pack of sluggers are armed and dangerous with a barrage of bruising
guitar riffs ("Meridian Summer," "Calendar Year") and a pounding rhythm
section that never seems to let up. And yes, there's melody, too,
albeit the kind that you may have to search through the audio assault to
find ("Engine"). These guys transcend the usual screaming band stigma
by creating stimulating breakdowns and urgently catchy musical parts within
their battering ram-like attack (""Vicki...Is This A Compromise?").
Part metal, part hardcore, but all kickass, Haste shows that they are very
much alive and awake the second time around. If you dig VOD, Sepulture
or any of those crazy metalcore bands, check out both of Haste's albums
and see what you've been missing.
Within Reach • Complaints Ignored
Bad Taste Records
Sweden's hard music scene is definitely one of the
most consistent in turning out slamming bands, and quintet Within Reach
is no exception. Their latest 10 track release bludgeons the senses
and reaffirms that there are bands out in the world that can combine balls
out aggression with depth ("Lifetime Achievement," "14:59"). With
a potent mix of metal crunch coupled with the posturing of hardcore, Within
Reach set your CD player on stun and are relentless in their quest to be
top dogs in the taciturn realm of heavy music. Complaints Ignored
is an album that fans of In Flames, Snapcase and Darkest Hour will be spinning
the hell out of. (www.badtasterecords.com)
Godflesh • Hymns
Koch
Hard to believe that this is Godflesh's 13th album,
but here we are in the year 2001 and these British noise pioneers are still
grinding their way through, as showcased on their latest 13 track offering.
And Hymns shows that there's a good reason as to why this ultra
influential outfit is still pounding out precision laced, industrial strength
dirges ("Anthem"). Basically, if there was no Godflesh, a good chunk
of what you hear as the "noveau" sound in heavy music today wouldn't exist,
and we'd be subjected to bad '80s metal bands making successful comebacks.
After the shuddering is done, do yourself a solid and pick up Godflesh's
latest, if not for the sentiment, then at least for the kick ass music
that they have given us ("Tyrant"), especially with a real drummer (Ted
Parsons, ex-Swans and ex-Prong, no less), making these leaders of industry
a lot more organic and utterly unavoidable. (www.kochentertainment.com)
Serial Poets • Top of the Food Chain
Future Primitive
Serial Poets are an eclectic band that mixes heavy
grooves a la Soundgarden and Sabbath with other varieties of music to comprise
a diverse 12-track disc, all without sacrificing their initial groove.
When this Long Island outfit croons, they sound much like the softer side
of Alice Cooper ("Sharp," "Sunrise Sunset"), but they also have the instincts
to rip out a technofied jam that gives NIN and White Zombie a nice run
for their money ("Squirm"). Versatile and dripping with the lyrical
sarcasm that you'd expect from Henry Rollins ("The Rejection," "Sex World"),
when we enter the world of the Serial Poets, expect the unexpected, but
be prepared to be rocked all the way. (www.serialpoets.com)
The Lawrence Arms/The Chinkees • Present Day Memories
Asian Man
This split CD contains two different styles of punk
which actually complement each other quite well, as both The Lawrence Arms
and The Chinkees display the sunny day melodies that made punk a household
musical form as of late. First up come The Lawrence Arms, whose Blink
182 meets Sum 41 methods don't really do the band justice, as song titles
like "There's No Place Like A Stranger's Floor" denote that there's a lot
more going on this band than pretty boy primping and bathroom humor.
They do, however, write catchy choruses that are worthy of praise ("100
Resolutions"). Then come The Chinkees, whose immediate keyboards
and ska tinged flavor scream Smashmouth ("Clouding Up My Storm"), but their
punk background points closer to All ("Heart + Me"). If you dig the
current sounds of punk music, this split CD is right up your alley.
(www.asianmanrecords.com)
The Flaming Stars • Ginmill Perfume
Alternative Tentacles
The Flaming Stars are a band you'd probably view
in a dimly lit, smokey nightclub in some film noir type situation.
Their latest disc is seemingly a collection of their best work from the
last five years. This English outfit includes some B-sides, live work and
a plethora of 60's influenced surf and calmer punk, a la latter day Lou
Reed ("Bury My Heart At Pier 13"), but they also have a penchant for 80's
New Wave ("You Don't Always Want What You Get"). The Flaming Stars
are a lot like Peek Freen cookies, a serious band for a mature audience,
but that doesn't make their murky, David Bowie-esque ("A Place In The Sun")
delivery any less accessible. (www.alternativetentacles.com)
Homo Iratus • Human Consumes Human
Arctic
Hailing from Greece, Homo Iratus have a brutal streak
in them, yet they round out their audio savagery with some of the crispest
death metal this side of Cannibal Corpse ("Dead Upon Conception").
On their debut 14 track scorcher, this quartet take the patented death
metal crunch and add generous amounts of groove to it a la Chaos AD-era
Sepultura ("Absence Of Progress"), making for one of the better deathcore
albums heard in a long time. Complete with vocals that sound strikingly
like Cookie Monster and a pounding rhythm section that dually clobbers
with groove and speed ("Crawling Principles"), Homo Iratus take snippets
of all that is heavy and make their own little bastard concoction that
will surely create a stir. (wwwhomoiratus.com)
Idlewild • 100 Broken Windows
Capitol Records
Idlewild is a British quartet whose 12 track release
isn't anything to do cartwheels over. It's got a Morrissey "woe is
me" gloss all over it ("Rusty"), and the mope rock factor is pretty high
across the board ("The Bronze Medal"). The songs are solidly built,
but there's really nothing very dynamic about this outfit, as they keep
the mood at one medium pace throughout. They're almost like Bush
without the punch, or an Oasis without the fighting brethren. If
you're a wishy washy kind of person, or a total Anglophile, this disc is
recommended. (www.idlewild.co.uk)
Gladyss Patches • A Wish This Simple
NFE
Gladyss Patches are a Canadian nu metal quintet whose
11 track release is as emotive as The Deftones and as textured as Linkin
Park. This band of young un's have really done their homework and
have come up with a bevy of well written and heartfelt performed tunes
that fill your senses ("Headlights"). Displaying the keen instinct
of when to charge ahead with a heavy passage or fall back into a melodic
groove ("Rhea"), Gladyss Patches successfully borrow stylistic devices
from Sevendust ("Spin"), Taproot and the rest of the nu metal contingent.
Yet, what makes this band such an entity is that they also make way to
allow their own voice shine through, with the help of a twin guitar attack
that combines brutality with melodicism with the best of them. A
Wish This Simple is an excellent debut for a band whose better days
are definitely yet to come. (www.gladysspatches.com)
New Disorder Soda
New Disorder
This compilation from San Francisco based label New
Disorder is a punk/hardcore battle cry, as the 25 songs that fill up this
collection mainly fall into that category. The best thing about this
disc, besides the garden variety of good underground band that it offers,
is by far the packaging, where each band showcased on the disc was given
their own page to do with what they want, an interesting concept that really
makes an impression. On the whole, this is definitely a disc worthy
of your time. (www.newdisorder.com)
Sceptic • Pathetic Being
Crash
The Eastern Block nations sure love their metal,
and Poland is no exception, as the hometown quintet Sceptic aptly display
on their blistering 10 track disc. Horned hands and closed fists
are raised for sure as this metal troupe take us through a journey into
old school thrash and European death metal ("Pathetic Being"), all done
with the utmost respect and unbridled attitude. The guitars wail
("Last Identity"), the rhythms are tight and the vocals are gleefully guttural
("Ancestor Of All Powers"); what more from a metal band could you ask for?
(www.crash-inc.com)
Ratos De Porao • Guerra Civil Canibal
Alternative Tentacles
The long running South American punk band Ratos De
Porao return with a half new, half cover album that not only displays their
crossover punk/metal/hardcore sound, but it also pays homage to many of
their friend's bands, such as The Varukers and fellow countrymen Sepultura.
So what if they sing primarily in Portuguese? This mainstay of the Brazilian
scene proves why they are so influential with this release, as it hits
you right between the eyes, regardless of the language it's spoken in.
(www.alternativetentacles.com)
The Lepers • The Lepers
Caulfield Records
The duo known as The Lepers have got a very eerie
quality swirling throughout their seven track debut. Imagine Jane's
Addiction mixing with Radiohead in a jam room with acoustic instruments
and maybe you'll have an idea ("Dead Romantic"). While the music
is limited, as it only contains drums, guitar and vocals, it's that strange
mix that gives The Lepers that ominous tone. Adventurous and exemplifying
a punk spirit ("Love Is Out On The Town"), The Lepers are definitely an
acquired taste, but an interesting listen nonetheless. (www.caulfieldrecords.com)
The Brought Low • The Brought Low
Tee Pee
From the bowels of Brooklyn comes a power trio with
more soul than a gospel choir and boulders for balls. The Brought
Low is their name, and flashback rock and roll is their game, according
to their eight track epiphany of a CD. From the opener "What I Found",
a rip roaring guitar led slab of rock and roll, these guys make the Black
Crowes look like a nu metal band with their laconic blues soaked jams ("Goddamn
God Bless") and Southern rock anthemic antics. 1973 never sounded
as good as The Brought Low, and maybe it's the fact that hindsight is 20/20,
but a lot of it can be attested to the superb storytelling that the lyrics
convey ("Hot N' Cold"). The Brought Low are retro, and they love
every minute of it. Chances are if you know what's good for you,
you will too. (www.teepeerecords.com)
Mercenary Musik 2001
World War III
What the world needs now is... more sick and twisted
death metal? Well, the folks at World War III Music think so, as
they unveil their latest endeavor, a partnership with Mercenary Musik and
all of its demonic metal bands. From the (unlucky) 13 tracks, you
get what you expect from a death metal compilation, a lot of heavy guitars,
guttural vocals and drummers that play as if they were hopped up on amphetamines.
Throw in some Gothic keyboards, praises for Satan, and weird screams and
an acoustic guitar (hey, sometimes even the most evil people have to chill
out, right?) and you've got this latest compilation. If you dig the
darkness and live in a pit of despair, something here is bound to make
you crack a sinister smile. (www.ww3music.com)
Hellspawn • Lords Of Eternity
Rotten Records
Hellspawn aren't likely to play your church social,
unless Anton Le Vey is the pastor. Make no mistake about it, this
bludgeoning trio is mounting a fight against Christianity, armed with their
eight tracks of audio chaos. Sounding somewhere in between Cradle
Of Filth and In Flames, Hellspawn mix up their messages of hate quite well
musically and can hold their own in any death metal scream-a-thon ("Ancient
Possession"). While their not exactly fighting the good fight, they
do manage to blast beat their way to be heard, and it's that kind of power
that makes this band as scary as their message ("Heirz To The Throne").
(www.rottenrecords.com)
Evergrey • In Search Of Truth
Century Media
In the vein of Dream Theater and Queensryche come
Evergrey, a progressive metal quintet whose latest nine tracks of melodic
metal will appease both the ardent headbanger and prog rock geek.
With Andy LaRocque of King Diamond producing the project, we are more than
covered in the metal department, as the fretwork is flawless and the overall
musicianship displayed is top notch ("Watching The Skies"). However, it's
through the use of the concept album device that this Swedish outfit fleshes
out their grinding attack. By successfully telling a cohesive story
through impassioned lyrics and interplaying music, Evergrey not only tell
a compelling story, but also make one hell of an album in the process.
For a concept album that may just rival Queensryche's epic Operation:
Mindcrime, check out Evergrey's latest soon to be classic release.
(www.insideoutmusic.com)
Steel Reign • Forgotten
Sicko
Steel Reign is a massive rock outfit from long Island
whose scolding delivery fits somewhere in between Alice In Chains and Motorhead.
On their four track release, this quartet add in the proper amounts of
grind and groove to create some of the heaviest melodies this side of Black
Label Society ("Two Days Slow"). Decisively hard yet surprisingly
melodic ("Forgotten"), Steel Reign is perfect music for a wild night of
beer drinking, hell raising and overall ass kicking. For a swift
kick in the head, Steel Reign is an excellent choice. (www.steelreign.net)
Satanic Slaughter • The Early Years
Necropolis
Old school metalheads have something to look forward
to, as Satanic Slaughter have released 25 tracks of their vintage death
and thrash metal, all on one handy CD. While the altar and farm animals
are sold separately, what you do get when you purchase The Early Years,
besides a sense of nostalgia, is a stern lesson in thrash guitar, complete
with advanced Slayer solo classes, as well as some breakneck paced metal
that bands like Slipknot and System have undoubtedly cut their teeth on.
And hey, where else can you get songs titles like "Breath Of The Serpent
That Rules The Cold World" and "Satanic Queen"? Need I say more?
(www.necropolisrecords.com)
Soul Survivor Soundtrack
Gold Circle
This soundtrack is for the horror movie Soul Survivor,
and while the movie probably didn't rake in the bucks at the box office,
the soundtrack is nothing to write home about either, as it mainly contains
underground bands and bands that have arisen from the "Where Are They Now?"
file (Harvey Danger, The Presidents Of The USA). It is adventurous,
however, as it genre hops quite well from aggro rock to techno to pop punk,
but not well enough to keep an attention span too long. (www.brookescompany.com)
Scissorfight • Mantrapping For Sport and Profit
Tortuga Recordings
Scissorfight is a New England quartet whose latest
13 track release is as heavy as it is quirky, as these guys are basically
on a mission to prove that they are not your average rock band. Matter
of fact, they heartily beat the notion into your skull through the use
of heavy melodics a la White Zombie, Monster Magnet and countless other
rock bands on the fringe. With a gnarling part death metal, part
stoner rock and all balls out guitar leading the charge("Blizzards, Buzzards,
Bastards") and a twisted lyrical vision reaffirming Scissorfight's eccentric
brand of stomping rock ("Deliver The Yankee Coffin"), these guys are as
left of center as Clutch in musical composition and songwriting lyrical
topics. Firing more brainpower than 20 nu metal bands combined, Scissorfight
kills you with both brains and brawn, a bastardized combination that's
difficult to combat and impossible to ignore. This is some potent
stuff, and while the average rock fan is probably thinking "what the hell
is this?", those in the know will sing their praises like the 100,000 in
attendance at the Freedom Rally in Boston this past year. Can that
many Bostonians be that wrong? Get a hold of this band and be prepared
for an unexpected history lesson laden with the heaviness your boring 11th
Grade American History teacher lacked. (www.tortugarecordings.com)