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CONTENTS.TXT Table of Contents
----- Use the "Renegade Facts and Info" You Already Have PUBNOTE.TXT Publisher's Note MASTHEAD.TXT The Masthead NICHOLS.TXT Joe Nichols Interview HOOKAH.TXT Ekoostik Hookah Interview STRAW.TXT Wild Strawberries Interview FERRARI.TXT Twin Ferraris Article SLIM.TXT Slim Chance and the Possibles Article PMC96.TXT Philadelphia Music Conference Report JOE.TXT Eat at Joe's LEADHEAD.TXT Leadhead's Lounge ALBUM.TXT Album Reviews CONCERT.TXT Concert Reviews LOCAL.TXT The Local Scene DEMO.TXT Demo Reviews CLASS.TXT Renegade Classifieds
If you have any problems, let me know. I'm putting together the package with an advance copy (sans photos) of the Renegade plus any additional photos I can gather.
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East Lansing, MI 48823 | the Renegade music newsletter if you e-mail: renegade@voyager.net | are a musician, writer, or music fan
Renegade Facts and Info -- Are you getting it?
Publisher's Note -- a Note from Publisher Geoff Wilbur
The Masthead -- Who does what at the Renegade?
Joe Nichols: New Kid on the Scene -- an interview with country singer Joe Nichols
Ekoostik Hookah Invaydz the Planet -- an interview with Cliff Starbuck of Ekoostik Hookah
Wild Strawberries Prescribe Music -- an interview with Roberta Carter Harrison of Wild Strawberries
Twin Ferraris Play Locally Again -- an article about the Twin Ferraris
Slim Chance and the Possibles in Grand Ledge -- an article about Slim Chance and the Possibles
Philly Music Conference '96 -- coverage of showcases from the Philadelphia Music Conference, plus a side trip to the 11th Annual World Championship Punkin' Chunkin'
Eat at Joe's -- Joe Szilvagyi's Review Column Featuring the latest CDs from Nil Lara, Jane Jensen, Black Tape for a Blue Girl, Decoryah, The Virgin Whore Complex, and Ekoostik Hookah, plus "Joe's Salad Bar," featuring EP and Vinyl reviews of The Notwist, Love Spirals Downwards, Jonatha Brooke, and Gumption
Leadhead's Lounge -- Shane Copher's Review Column Featuring the latest CDs from Crystal Gayle, Medalyon, The Bellamy Brothers, Powerface, Alabama, Floodgate, and Ty England
Album Reviews -- The Renegade Staff reviews the latest CDs from Sublime, Baillie and the Boys, Monkey Chuck, Duncan Sheik, Men of Vizion, Michael Hill's Blues Mob, Yontz Sucre, R. Kelly, Necromantia, Tim Skold, and Crawl
Concert Reviews -- Michael Fuller reviews Rush and Poe
The Local Scene: Lansing, MI -- Local Live Music "Caught in the Act," The Lansing Band Guide, and Lansing Music News
Demo Reviews -- Janet Schmidt reviews 3 Pound Universe
Renegade Classified Ads
PUBLISHER'S NOTE:
About me: In the past seven years, my articles have been published in several states and in two foreign countries. During that time, I have seen many outstanding bands go unnoticed. It is my goal to introduce as many of these great bands as possible to interested fans and music industry insiders. Therefore, with your support, I will bring the best of the music industry to Lansing, while introducing the national music industry to the best of Lansing's local music scene. If you like what you read, see the "Subscribe!" box on this page for our reasonable subscription rates. Thanks for reading!
Cheers!
Geoff WilburThe Lansing edition of the RENEGADE NEWSLETTER has a circulation of 1,050: 750 in the Lansing market, 250 by mail to people within the music industry, and 50 by mail to musicians.
Publisher/Editor: Geoff Wilbur; Staff Writers: Geoff Wilbur, Joe Szilvagyi, The Wild Card, Rick Gebhard, Shane Copher, Nancy Liles, Scott Myers, Michael Fuller, Chas Edwards, Lynn Hopkins, Tom DeMann, Amy McClees, Devene Darovich, Josh Newman, Scott Sigler, Diana Zeiger, Eric Harabadian, Kim Hunt, Al Slavicsky, Marshall McDaniel, Yello Browne, brijawi, Kevin Hurrell, Patrick Ondrus, Cathy Clause, Rip, Erica Schredni, Erin Woolley, Mike Somers, Bob Smith, Matthew Brown, Janet Schmidt, Rebecca Szilvagyi; Contributing Writer: Steve DeVries; Photographers: Randy Cardona, Joe Szilvagyi, Trish Hale.
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The Lansing edition is published quarterly.
Subscriptions to the RENEGADE are available for one (1) dollar per issue (US$1.50 in Canada/Mexico; US$2 overseas) from GEOFF WILBUR'S RENEGADE NEWSLETTER, 2843 East Grand River Ave., Suite 200, East Lansing, MI 48823. Please indicate Lansing edition. Checks should be payable to Geoff Wilbur.
Bands interested in demo reviews may submit two (2) copies of a demo tape and band information (including a contact name, address, and phone number) for consideration. Submissions should be sent to GEOFF WILBUR'S RENEGADE NEWSLETTER, 2843 East Grand River Ave., Suite 200, East Lansing, MI 48823. All submissions become the property of GEOFF WILBUR'S RENEGADE NEWSLETTER and will not be returned.
Volume 4, Issue 2L.
Lansing edition.
Copyright 1996 Geoff Wilbur PublishingJoe Nichols: New Kid on the Scene by Devene Darovich
Nineteen year old Joe Nichols always knew he wanted a career in music, but little did he know his big break would stem from his job at an Arkansas car dealership.
Nichols was changing oil at the dealership. He had a habit of singing along with the radio while he worked. When Randy Edwards came in for an oil change, he was struck by the voice of the man working on his car. He was so intrigued, he invited Nichols out to lunch. From that meeting stemmed the further collaboration of Nichols and Edwards at Edwards' home in Oklahoma -- singing, writing, and playing music. The result was Nichols' debut CD, JOE NICHOLS.
His influence ranges from George Strait to the Eagles to Lynyrd Skynyrd. He had previously been in a rock band, but he knew he belonged in country. "It fits my family tradition, and it's me," he says. "It fits my heart."
His country debut hit stores in August, and his first video, the energetic yet soulful "Six of One, Half a Dozen (Of the Other)" was a "Hot Shot" video on Country Music Television. This past June, Nichols took part in the Country America Music Festival in Oshkosh, Wisconsin, along with performers like Vince Gill, Toby Keith, Brooks & Dunn, Willie Nelson, and Waylon Jennings.
What surprises Nichols most so far about his whirlwind career? "The lack of sleep," he laughs. "I thought I'd be able to sleep more!"
But his lack of sleep doesn't stop him from donating much of his time back to the communities where he performs. In addition to performing at many schools with the D.A.R.E. program, Nichols tries to visit a children's hospital in each city he performs.
"We want to go to the children's hospitals every chance we get," he says.
Recently, he released his second single and video, WalMart Parking Lot." This September, WalMart had Nichols perform as part of its WalMart Country Across America Tour.
Nichols, who co-wrote one song, "Independent Girl," for his debut, says he is writing "every chance I get." He hopes to have more of his own material on future releases.
Being young and good looking would seem to make him a shoe-in for success, but he says that is not always the case. "We got criticism for me being young," he says. "People were saying I haven't paid my dues, and that's not true."
But with people like Edwards behind him and a voice that is rather Garth-like on some songs, Nichols has what it takes to live his dream and make a living with his music.Ekoostik Hookah Invaydz the Planet by Geoff Wilbur
One show at the Small Planet in October and another in November? The way Columbus, OH's Ekoostik Hookah packed the Planet at its late November show -- only Ekoostik Hookah's second Planet show -- you can probably expect to see them back again often.
The music's reminiscent of the Grateful Dead, but E.H. is able to draw in non-Dead fans, too, with its apparent multiple other influences.
Says bassist Cliff Starbuck, "We're all into extremely different types of music, which is good, and I think the one generalization that can be made is that we don't listen to many bands that are in the same genre as us. We don't listen to the contemporary groove-oriented stuff, and a lot of us go to sources that are pretty far removed from what we end up sounding like." Indeed, that explains the many elements that result in the band's diverse fan base.
So, with such a broad audience reach and the ability to draw live in new towns, is a record deal imminent? Not necessarily, says Cliff. The band is content to slowly build a fan base by moving into new markets one at a time. Although the band wouldn't turn down a "really good" record deal, the band likes the control it has over its future, cutting its own CDs and signing its own checks. Says Cliff, "We're looking more for a promotion company. But we're waiting for them to approach us, really. It's not something we're going out to pursue. There are so many disadvantages to having a record deal that it's better to wait until we're already firmly established." So far, Ekoostik Hookah has self-released two studio albums and a double live album.
The band tours extensively to spread the word. "Usually," Cliff explains, "we go home on Sunday and come back out for at least four nights. But we just got done doing a couple weeks straight out west, in Colorado and for a couple weeks on the way back." He adds, "We do well enough here in the Midwest that we can afford to go on tours out where we don't necessarily make a lot of money [to] continually spread ourself. It's a little slower than the record company push, but I think it's a lot better."
Musically, the band's appeal is both song and sound oriented. And the most recent personnel change, says Cliff, has further strengthened the songwriting: "Our new songwriter/singer/rhythm guitarist (Ed McGee, who isn't in the band's press photo; ex-member John Mullins is) has brought definitely a fresh, new direction, and he's really interested in making the music coordinate with the lyrics well, so he explains to us what the song's really about, what he was thinking, and how we can make the music fit that, which I like to do."
The only 1996 Michigan date remaining on Ekoostik Hookah's schedule is in the Detroit area -- at the Seventh House on December 26th. (Some of our MSU student readers who'll be home in the Detroit area for Christmas break may want to get out to that show... or, like the rest of us, you can wait 'til they come back to East Lansing.)Wild Strawberries Prescribe Music by Eric Harabadian
Career and lifestyle goals can sometimes take alternate twists and turns; just ask the members of Toronto's Wild Strawberries. The Canadian duo, which consists of multi-instrumentalist keyboardist Ken Harrison and wife Roberta Carter Harrison, began their musical odyssey over six years ago.
Their name comes from the Ingmar Bergman film depicting a doctor's overseas journey to receive an award for excellence in medicine. Meanwhile, his personal life is less than perfect. A parallel was drawn by the married musical pair.
"We were both attending university up in Canada studying medicine," says Roberta. "We were also working on songs together, submitting material to a local radio station. We preferred music because it was a lot more fun." So, when Ken and Roberta eventually received their medical degrees, music ultimately ruled out in the end.
In 1989, they independently released the cassette CARVING WOODEN SPECTACLES. They went on to record two more works with moderate success.
In 1995, they were playing a gig in Vancouver, BC, where their current label Nettwerk resides. David Kershaw, Sarah McLachlan's keyboardist, saw them and was quite impressed. He introduced them to Nettwerk and also co-produced their current album.
The CD, HEROINE, is a rich blend of ethereal pop and progressive textures mixed with provocative, reflective lyrics.
"Thematically, our melodies may be lilting, but often there is an underlying darker edge there," explains the singer. "But we tend to want to leave an element of hope. Ken is the principal songwriter. He's into poets like Emily Dickinson, who write with a happy surface but with darker barbs underneath."
At various instances, their music has included elements of sixties pop, Stax-Volt soul, and ambient modern rock.
"Our new stuff is in the demo stage right now," says Roberta. "It will be different from HEROINE. We try not to make the same record again."
Their current tour, which includes Sean Ashby on guitar, Craig McConnell on bass, and Chris LaMont on drums, is primarily playing select dates throughout Canada. Although appearances in the States have been limited thus far, they express a desire to do more in the future.Twin Ferraris Play Locally Again
by Bob Smith
After over 20 years have gone by, the Twin Ferraris are on the musical road again, and the old hippie had a chance to catch them out at the All Star Bowl located in Grand Ledge. The crowd was sparse, but the music filled the room. I was amazed at the sound the two guys could put out. With just a dream machine and a synthesizer accompanying the two guys playing their guitars, they cranked out tune after tune. They covered many top 40 tunes ranging from Santana to STP, from Men At Work to the Boxtops, and many more.
The Twin Ferraris is comprised of the twin brothers Hector and Victor Juarez. Hailing from Lansing, their original band, the Ferraris, was formed in 1964 in East Lansing, Michigan. They won many "Battle of the Bands" competitions and appeared on many regional television programs. During this time, they had the opportunity to work with artists such as The Loving Spoonful, Johnny Rivers, and Dick Wagner and the Frost. In 1986, a major highlight in the history of the Ferraris occurred when the band had the opportunity to rehearse, record, and perform a major concert with Stevie Wonder. During the '70s and '80s, they performed with the bands The Juarez Brothers and Kofijam. These bands performed in nightclubs throughout Michigan, Indiana, and Illinois.
When not performing in the Lansing area, the Twins have been playing in northern Michigan. When in Ludington, check them out at Michael's. If you can't find out where they are playing, contact Hector at 517-882-9644.Slim Chance and the Possibles in Grand Ledge
by Bob Smith
Back in September, while cruising the bar scene, I stumbled across the Driver On Inn located in Grand Ledge. I pulled up a stool and ordered a tall cold one when the sweet sound of Grand Funk entered my ears. Wow! Was it deja vu? Was I back to my hippie roots? No... It was the sound produced by four local guys named Slim Chance and the Possibles. During the evening, I was entertained to the sound of Lynyrd Skynyrd, Savoy Brown, Foghat, John Cougar, and many, many more guitar-based tunes.
The four guys are Jeff Burt on guitar, Jeff Reynolds on bass, Steve Gallimore on guitar, and Eric Anderson on drums. These Lansing area musicians have been playing together in this configuration for quite some time. I suggest that you try to check them out. The most recent sighting was at Bill's Country Tavern in Vermontville.Philly Music Conference '96
by Geoff Wilbur
October 30 through November 2, 1996, music industry professionals and musicians converged on Philadelphia's Doubletree Hotel for four nights and three days of information exchanging, schmoozing, and merriment. New York industry attendance was strong, with Thursday night showcasing bands benefiting from the many label execs who made the trek but went home for the weekend. Seminars were well attended, and the wide variety of music played by showcasing bands was impressive.
Here are reviews of some of the showcases I caught in Philly:
Philadelphia's Central Figures performed that catchy, hooky, pop/rock (with an edge) thing, as drummer Rusty Crowe joined Jim McGinty and Chris Coward for this gig. The three standouts were "True to Life" and the more uptempo, rockin' "This Lonely Notion" and "Porch Swing."
Dayton, Ohio's Jayne Sachs delivered her usual top notch show. There was a raw edge to Jayne's band's straight-up, nineties-flavored, catchy rock, complete with its offbeat lyrics (as in "Me & Bogie" and "The Cigar Song") and Jayne's trademark, identifiable vocal style.
Block delivered an acoustic set that showcased his songwriting skills and performance skills. He is the consummate lyricist whose emphatic acoustic guitarwork augments his charged vocal style. His music feels fun, but it makes you think if you aren't careful. This Burning Bush/Radical recording artist is a big league talent with the potential to break a national mega-hit.
Epic Records' emmet swimming had the crowd dancing and weaving like a room full of drunk drivers. This band is powered by strong vocals and catchy bass and rhythm guitar lines. The songs are catchy, dance-inspiring, alternative, radio ready pop.
Of the several top notch blues-based rock bands I caught there (and I'm guessing there's so much great unsigned blues rock out there because so little of it is getting signed), Bayonne, NJ's Bad Attitude particularly impressed me with its set of original, catchy, melodic, blues-based, groovin', take-no-prisoners hard rock. When necessary, they also can turn a good blues-based rock ballad.
There were two showcases I'm particularly sorry to have missed, though scheduling conflicts necessitated it. Niagara Falls' Kama Sutra is absolutely mesmerizing live, while Toledo's unique, original Uncle Knucklefunk puts on a massive, lively, fun, big time rock show. (I've caught showcases from both bands at Undercurrents in Cleveland in years past.)
My trip to Philly wasn't all high-powered music biz stuff, though. Every year on the weekend following Halloween, near Lewes, Delaware, the annual World Championship Punkin ChunkinJ is held. (This year was the 11th annual.) It's a two day event, featuring rides, food booths, other county fair-type events, and a live music stage. But what it's all about is the heaving of pumpkins through the air via manpower, mechanical power, and explosive power. It's a one-of-a-kind event.
I attended the first of the two days, Saturday, in place of a day at the PMC. It's an experience. The music that day was opened by Beatlemania, whose true-to-life Beatles covers had the crowd dancing. Mainstream, strumming, slightly alternative rockers Mercy River followed, losing the battle for most of their crowd on the already chilly day to a suddenly appearing sleet storm. Still, as they listened to Mercy River from more sheltered areas, those in attendance were treated to, among other songs, the incredibly catchy "Maybe I'm Lucky." Mercy River was followed by the Platters, who were lucky Mercy River's drummer could read music, since he had to sit in the first few songs until the Platters' drummer arrived. It was a fun diversion that included some good music, but the weekend belonged to the PMC.
Watch the RENEGADE for PMC '97 information as next fall approaches. The PMC is always at the end of October. If it wraps around the weekend following Halloween, you may want to consider setting the music biz aside for an afternoon and adding a side trip to Delaware for something REALLY unique... and some music, too.EAT AT JOE'S by Joe Szilvagyi
Nil Lara
NIL LARA
Metro Blue Records
Good Tunes: This is an exquisite blend of different ethnic musical backgrounds and modern pop music. Every track develops slowly into a rich tapestry of sound. Bad Notes: The middle stretch of this recording seems long winded from time to time. Other Riffs: So many different instruments are jammed into this recording that it's fun to try to name each sound as you hear it.
Jane Jensen
COMIC BOOK WHORE
Flip Records
Good Tunes: Garish colors and exaggerated emotions are heard throughout this album. Sometimes fluid, sometimes not, always interesting. Bad Notes: As interesting as this album is, the occasional screams and whining can be irritating at times. Other Riffs: For those who keep track of these things, Siouxsie and the Banshees guitarist John Carothers is among the ranks of Jane's band members.
Black Tape for a Blue Girl
REMNANTS OF A DEEPER PURITY
Projekt Records
Good Tunes: A dark search for faith and truth is presented through dark tones, ethereal vocals, and a faint glimmer of hope. Bad Notes: As with most ambient music, this disc relies mostly on atmosphere and mood, rather than structure. Other Riffs: If you like this recording, Black Tape for a Blue Girl has six others with similar themes for you to hunt for.
Decoryah
FALL-DARK WATERS
Metal Blade Records
Good News: Somewhere between rock opera and ambient is a rich recording that rises and falls, that crashes in all the right places and flows evenly when needed. That somewhere is this album. Bad Notes: The intermittent lyrics only serve to disturb the enchantment that pours from this recording. Thank goodness for track skip buttons. Other Riffs: This is not what I've come to expect from Metal Blade Records. I hope they continue to expand their repertoire so they can sufficiently support these new bands.
The Virgin Whore Complex
STAY AWAY FROM MY MOTHER
Emperor Norton Records
Good Tunes: Hoping to be king some day is just the beginning of the dreams on this disc. Quirky lyrics are the main feature here, but don't forget the wonderful layers of music laid down as a comfortable cushion to soften the blow of those lyrics. Bad Notes: Some of the lyrics catch you off guard, so be prepared to stop whatever it is that you are doing to think about them. Other Riffs: Swimming against the mainstream music industry reduces the chance of seeing this band headline a stadium show to almost nothing.
Ekoostik Hookah
DUBBABUDDAH
3000B East Main St., Suite 253, Columbus, OH 43209
Good Tunes: Jamming, rhythmic tunes that are easy to lose your troubles in are packed into this disc. Psychedelic or classic, Ekoostik Hookah is just here to remind us to relax and enjoy life. Bad Notes: I missed their show here at the Small Planet back in October [but he saw their November show - GW]. Other Riffs: For a two year old disc, I'm surprised that I'm just hearing this now.
JOE'S SALAD BAR (EPs and Vinyl)
The Notwist - ONLY IN AMERICA - Zero Hour Records: More than a metal band, The Notwist explores the depths of hard edged music with larger themes and a wider dynamic range than most of its contemporaries.
Love Spirals Downwards - SIDEWAYS FOREST - Projekt Records: A major attraction to ambient music is its ability to set a mood and maintain it for an extended period of time. This single is held back by not being long enough. It's barely an appetizer for a band capable of keeping a listener suspended in a rich world of trip-ambiance.
Jonatha Brooke - EMMANUEL - Blue Thumb Records: Modern electronics widen the range of possibilities for this traditional tune without stripping it of its heritage.
Gumption - DON'T SCREW UP/STARTING LINE - Spongebath Records: Nothing new here, just another power pop band on pink vinyl singing about staying together or breaking up. If you like guitar driven pop, then here's some more for you.
Questions? Comments? Want to contact Joe? His e-mail address is Zagatto@aol.com.LEADHEAD'S LOUNGE by Shane Copher
Crystal Gayle
A Crystal Christmas
Intersound
An '86 release, remastered and reissued, this is a very "traditional" holiday effort, complete with full orchestration. Crystal's beautiful and stunning voice makes this one worthy, as the songs seem tailor made.
Medalyon
Visions
Fortunate Records
An excellent release from start to finish, Medalyon has a distinct resemblance to early Queensryche, who they list on the album notes as an influence. Powerful arrangements, tight musicianship, and Rick Shay's vibrant vocals easily give Geoff Tate a run for his money and should help Medalyon swallow up some fans, as well. I highly recommend this one; it's top notch.
The Bellamy Brothers
Tropical Christmas
Intersound
A combination of holiday favorites and the Bellamies' own unique, often humorous offerings, including brand new lyrics for "Jingle Bells" (A Cowboys' Holiday), "Old Hippie Christmas," and the title track, which is sure to make Jimmy Buffett jealous. A diverse blend of music, both old and new, expertly produced, this is one of the finer holiday releases in recent years and well worth adding to your collection.
Powerface
4 On the Floor
Yikes! Records
A strong sophomore effort from these local rockers that offers the intense, grinding sound that fans of their live shows have come to expect. The transition of these tracks from the stage to the studio is smooth, managing a minimal loss of impact. "Sendit" kicks this one off in aggressive fashion, followed by the infectious groove of "Lengthwise." "Real Fresh Like" and "Leather Daddy" round out the set. Powerface seems poised to progress to the next level, and this should help open the door.
Alabama
Christmas Vol. II
RCA Records
With a mix of holiday standards ("Little Drummer Boy," "O Little Town of Bethlehem"), updated versions of Christmas favorites ("Rockin' Around the Christmas Tree") and some strong originals, Alabama shows their usual knack for making the songs sound tailor made for them. This is a "celebrity" holiday effort that carries more weight than most. "When It Comes to Christmas" and "The Blessings" stand out as the best of a good seasonal collection. Chalk up another hit for the boys from Fort Payne.
Floodgate
Penalty
Roadrunner Records
Eleven tracks of grunge-flavored rock, with a strong foundation and riffs to spare. It contains the power of a hardcore project without all the angst and hatred. There is more than a slight Sabbath influence in the mix, and with the help of a solid production and the nifty axework, Floodgate has released a sound effort for hungry fans of mainstream heavy rock.
Ty England
Two Ways to Fall
RCA Records
If you like your country in the commercial vein, Ty England is right down your alley. Plenty of danceable, radio-friendly tunes, along with just enough ballads to spell airplay. Ty handles the material with ease. A strong instrumental backing gives this one a boost. "Last Dance" and "All of the Above" have hit written all over them.Sublime
BADFISH EP
Skunk Records
This five-tracker was the band's last release prior to Brad Nowell's death. Consisting of many rarities and outtakes from early 1988 ("Roots of Creations") to two live tracks from a 9/9/94 show in San Francisco ("Untitled Dub" and "We're Only Gonna Die For Our Arrogance") to two tracks from the 40 OUNCES TO FREEDOM full length ("Badfish" and "Don't Push (Original)"). Sublime blends dancehall, ska, punk, and good old fashioned rock and roll to make a unique sound, which is truly rare in today's music world. Sublime may be gone, but is not forgotten.
Baillie and the Boys
LOVIN' EVERY MINUTE
Intersound, Inc.
This CD has the best of two worlds. It has the upbeat sounds of "new country" tunes combined with several folk sounding ballads. The strong lyrics and wonderful harmonies make up for the often repetitious drum beats. This is a familiar sounding album in a comforting way. It'll keep you guessing as to who the artist is!
Monkey Chuck
GOING TO BEN'S
Yikes! Records
This is the second full album for these guys from Kalamazoo, and a strong one, indeed. Herein contains seven songs, complete with very literate ideas, solid musicianship, and peerless harmony. Personal favorites include "Telephone Pole," "Tonight With You," and "Subaru." While their Gin Blossoms-meets-the Beatles sound permeates the majority of this release, they conclude with the very live "Electric Frog Flexor," a delectable slice of original funk. It really kicks!
Duncan Sheik
DUNCAN SHEIK
Atlantic Records
Well produced, radio ready, lite FM staple stock. What do you expect when the man, Rupert Hine, is at the helm of this CD?
Men of Vizion
PERSONAL
MJJ Music
This group is making mad noise with its smash hit "House Keeper." This album is full of ballads that get "Personal," "When You Need Someone" to "Do Things" "Night and Day" and then you realize "It's Only Just a Dream," so let Men of Vizion "Show You the Way to Go." Production on this joint is handled by Teddy Riley and Spanky Williams, who both do outstanding jobs. Destined to be around for a long time, these Men definitely have a Vizion.
Michael Hill's Blues Mob
HAVE MERCY!
Alligator Records
Once in a lifetime comes a guitarist who is able to redefine modern music, and Michael Hill is that person. Combining the best elements of blues (delta/Chicago and modern electric), Marley style reggae, hard rock, R&B, jazz, and funk, Hill mobilizes them into a radical sonic bliss which is the high side of HAVE MERCY! The low side of the release is that it may tune out the traditional blues listener for the same reason. Revolutionary modern blues.
Yontz Sucre
ELECTRIC JAM
Buzzjam Music
When you think of modern guitar greats, there are a few that come quickly to mind; let's see, there's Johnson, Vai, Satriani, Van Halen, Sucre... Sucre? Who is that?! Well, you may be asking yourself that question now, but if there is any justice in the world, you'll be hearing about this Raleigh, NC, native soon enough. From the aggressive to the serene, Yontz Sucre and his band paint colorful soundscapes awash with splendid harmonics, rhythms, drive, and melody. This is primarily an instrumental album, but his version of Hendrix's "Little Wing," with Jennifer Carpenter on vocals, should not be missed. For those who tire of the overdone, lo-fi alternative scene and are in search of true guitar heroes, look no further!
This single from the bump and grind pro heads in a totally different direction from previous R. Kelly releases. "I Believe I Can Fly" has gospel overtones with a church choiresque feel to it. R. Kelly really sounds convincing as he croons this outstanding song. This is bound to be another R. Kelly smash single.
Necromantia
FROM THE PAST WE SUMMON THEE
Wild Rags Records
Hailing from Greece, Necromantia delivers extreme black death metal which is like no other due to its very intelligible vocals not full of grunts and growls. Musicianship is strong and pulverizing while remaining dark and gloomy with cesspoolish lyrics that are controversial due to overtones about the occult and spiritual death. Bleak, morbid release for true brutal black death metal fans only. Others, stay away.
Tim Skold
SKOLD
RCA Records
Heavy metal for the '90s. It's industrial, sure, but this guy rocks. Thank God someone actually remembered that songs are more important than noise.
Crawl
CONSTRUCT, DESTROY, REBUILD
MIA Records
Following up last year's debut, Crawl offers no surprises this time out. Strong industrial thrash a la Biohazard, with a ton of crunch. Aggressive, arresting, and angry, Crawl seems content to remain true to their roots, and they're not gonna get any complaints from me. A brutal set.
Rush
Van Andel Arena, Grand Rapids, MI
October 23rd, 1996
On October 23rd, Christmas came early to West Michigan Rush fans. Not only was the progressive rock trio the first rock concert at the new Van Andel Arena, but this was also the first time in the nearly 25 year career of Rush that they performed live in Grand Rapids. And for those who thought this was going be considered a warm- up night for their Palace date on the 25th, they saw differently.
After a 3 year break for solo projects, domestic priorities, vacationing, and drum lessons, Rush members were looking very forward to being back in front of their fans again. In fact, the band wanted this to be such a special night for them and their fans, they decided to present this tour as "An Evening With Rush." So, to give more time on stage for a longer list of material, instead of their usual 2 hour show, they presented (as Pink Floyd and Genesis) 2 sets of both newer and older, classic material. And yes, that famous drum solo by the professor, Neil Peart. Neil was suffering from a cold this night, but no one would've known it. From the minute Alex Lifeson, Geddy Lee, and Neil hit the stage, fans could see how much they missed their live performances.
Although the show suffered a little while getting the sound right, the band was at its best once more and even threw out some rarities this time in performing "2112" in its album entirety, as well as "Natural Science" (from PERMANENT WAVES) for the first time since that '80 tour, plus other crowd favorites like "Tom Sawyer," "Spirit of Radio," and "Roll the Bones" with a comical rapping skeleton on the large video screen.
Hopefully, as fans always start rumors, this isn't the last tour. Rush still seems to have many good years. Let's just hope they keep the idea of the "Evening With" tours.
Poe
Reptile House, Grand Rapids, MI
October 11th, 1996
It may just be a nickname, but remember it because by next year Poe will, indeed, be one of the leading women in rock. She's already building quite a fan following here in Michigan, starting with this, her first headlining show. The Reptile House was packed shoulder to shoulder from the stage back to the door. And the stages are only going to keep getting bigger for her.
Poe not only projects a wide range of musical taste along with her band but also holds her role as band leader and frontperson, as if she was naturally born to do it, whether giving the crowd some funked up fun with "Hello" or showing what an indeed beautiful voice she has with a mellower tone during "Angry Johnny" or "Fly Away."
Poe enjoys the chance to visit a local coffee shop with some band member to do some acoustic playing for a while, but on this night she had to take off to Chicago instead... but not before hanging out in the cold and meeting her fans for a half hour after the show. Poe loves meeting and talking to people. And like her stage persona, she is one of the funnest people you ever want to meet.
CAUGHT IN THE ACT...
...by the publisher
Lansing headbangers rocked the Silver Dollar Saloon to benefit Cerebral Palsy. Frog and the Beeftones kicked off the evening with the mellowest set of the night, a set of fun, raucous classic rock and hard rock that showcased the band's charisma. "Sweet Jane" and "All Right Now" were among the highlights. Vivian Darkbloom followed with heavy rock that utilized lots of bass. There's some solid varying vocal work, enabling the band's repertoire to range from ballads to growlers. Vivian Darkbloom features a classic-styled musicianship, but the vocals and tempos combine to make it sellable here in the mid-nineties. The Fruitflies served up a strong set featuring heavy, melodic rock with occasional hot guitar licks. Stone Mary delivered a very heavy, very current sound but with a crispness that makes it listenable for a broader market. (In other words, it isn't simply a bludgeoning wall of sound.) Stone Mary's style is fresh while still being familiar. The band closed its set impressively with "The House of Lies." Uncle Chuck won "loudest band so far" with its trademark style -- heavy base, thrashy feel, but with distinct melody. Horror Factor closed the evening in typically heavy Horror Factor form. A known talent here in Lansing, crowds always come to hear Horror Factor's talent-driven, loud, attention-demanding, heavy, heavy (did I say heavy?) rock and roll sound.
I caught The Roadmasters during the Capitol Area Blues Society's Meals on Wheels benefit at Capitol Hill Station. (Mike Somers reviewed the whole evening on page 7.) The 'masters are five bluesmen who are obviously having fun while playing. They can slow things down if they have to but clearly prefer the faster, more energetic stuff. Highlights included "Emergency" and "Framed."
Chicago sister act The Twigs played the Small Planet in late November. I got a day-of-show call from Renegade writer Michael Fuller, who saw The Twigs in Grand Rapids the night before, advising me that this was a band I shouldn't miss, and he was, indeed, right. They played a set of catchy, acoustic music with an alternative edge. They were only two on stage, but they projected more force than some full bands. (The Twigs are usually a four-piece.) The blending of two different voices results in a full vocal sound that may not result from exclusive use of either. Of note was the nice guitar hook and catchy tempo in "The Rainbow Man."
...by Shane Copher
Election night '96 found East Lansing's Silver Dollar Saloon the home of a "Grand Old Party" -- the "one night only" reunion of Lansing's Sinister Black was all we anticipated and more! After a mere three weeks' rehearsal, the Blackians were tighter and as thunderous as ever. Their hour long set covered the band's career, from a medley of cuts from their Courts of Corruption release, to a fresh track written just prior to the show. Killer riffing, great sound, and power to spare. Mid-Michigan has missed these guys; let's hope this leads to more work in the future.
Next up was Brazil's Overdose, who I raved about last year after catching them with the Spudmonsters and Skrew. Well, I'm still raving! Clean, powerful, often vicious hardcore, with one of the most ferocious rhythm sections I've experienced... ever. This band is hot! and this show introduced them to a new audience; the Dollar ate it up.
The night's headliner was King Diamond and Mercyful Fate. A bit disappointing, really. The sound was a mess (go easy on the reverb next time) and the King's vocals less than stellar. He was suffering from bronchitis, or so we were informed, but that still doesn't explain the poor mix. Musically, the band was much more sound, and many fans took it in stride... I didn't.
Overall, a great show, and a good reminder of the lack of quality metal shows in this area. The Dollar was packed, so let's hope somebody was paying attention.
If you'd like Shane to catch your show, call him at (517) 694-5625.
...by Patrick Ondrus
In case people haven't noticed, original heavy rock is coming back in this town in a big way. No doubt it has something to do with the fact that a certain radio station is actually promoting original music (or at least a certain DJ, right Jaz?). At the Silver Dollar, I caught a double bill with KGB and Aceldama. I like KGB (Killer Green Bud, for those who don't know). They rocked; they grooved; they jammed. I only saw the last part of their show, but I'd go see them again.
Aceldama -- well, let me tell you about them. Musically, heavy as hell, really tight, and all very good players. As a musician myself, I could appreciate that. But lyrically and vocally, I couldn't deal with them. Let it be known that I can't stand gargle vocals. (They made Lemmy sound like Geoff Tate.) And a band can only sing so many songs about death, dying, and destruction.
Downtown at the Rock House, I caught Powerface. I missed the opener, but Powerface had the place hopping. It's kinda nice knowing there is a place in town where they will let people mosh! Their heavy alternative sound really seems to strike a chord with the local crowds.
I guess I'll mention this one -- Kiss at the Palace. Yeah, it was Kiss -- I won't put them down (but I won't talk them up, either).
If you'd like Patrick to catch your show, call him at (517) 669-7124.
...by Bob Smith
If you'd like Bob to catch your show, call him at (517) 622-1451.
...by Kevin Hurrell
I caught Rock Binge at the tail end of Riverfest '96, and it proved to be a worthwhile afternoon, shattering previous records for crowd attendance. It was an energized show featuring everyone's favorite classic rock tunes with a spicy taste of some of their original stuff thrown in as well. Cover tunes such as "Jesus Just Left Chicago" and "Girl's Got Rhythm" ground hard into the souls of the onlookers as a preamble to "Down On The Ground", a bluesy J. Giels-esque original that scored high marks with me on intonation, tone, and tempo during both the chorus and dual guitar solos. A power packed performance for the Lansing-based band.
Well, all the hype about Octoberfest '96 proved true with the grand finale... the Reverend Horton Heat show. Other bands, such as Lansing's own Powerface put on tremendous performances, but the Reverend was exquisite in their own psychobilly way. With a new set percussionist, longtime favorite standup bass player, and the tripped out sounds of that screaming guitar, the Reverend Horton Heat put on a great show that people of all ages could enjoy. Sponsored by 92.1 The Edge, Octoberfest's greatest lineup yet hit hard in Old Town Lansing. Let's hope the trend continues in years to come.
For all you local blueshounds seeking your blues fix, check out Big Jack Johnson. Caught in the act of bluesification at Lansing's own Capitol Hill Station, Big Jack put on a show better than any I have seen since Dave Dale and the Blues Control played back in early February. With smooth guitar solos, bluesified dual vocalists, and a groovin' set of tunes, Big Jack Johnson entertained a packed house on old Washington Street that night with the enthusiasm of three bands. Big Jack Johnson has a CD out that can be purchased at selected music stores and Big Jack gigs.
And as if straight out of the streets of Chicago, Dave Dale and the Blues Control blew me away at Caffe Latte some months back with the energy that's a little jazzy, a little rock and roll, and a whole lotta blues rolled into one. With multiple guitarists stepping in and out of songs with electric and acoustics and the impenetrable sounds of that lead v., Dave Dale is another blues "must see."
All Hallow's Eve, or Halloween as some call it, set the perfect stage for a night filled with blues, booze, and boos. Delta Rhythm Kings did the boo-fest down at Capitol Hill Station where I sat in awe of these blues giants. Sometimes six, sometimes seven, sometimes eight musicians graced the stage on the thirty-first, feeding those ever so blues hungry goblins in the audience. Trust me on this one; if you like the blues, you'll love the Delta Rhythm Kings. Go check 'em out.
Saturated with the soul of one-thousand screaming butterflies, and amidst a cloud of smoke arose a band named Nackt. Attracting many faithful followers to a Friday night gig at Cafe Venezia, this band is not new to the Lansing scene. Often found at The Bach Dor Cafe in Old Town, this band combines the ear-friendly chords of folk with the time changes found in jazz and stirs it all together in a kettle full of Phish-esque jam-outs which most eloquently replace any old guitar solo. On acoustic guitar is Larry, who plays on fire with intensity, intonation, tone and amazing ability. DuWayne, the lead vocalist, pulled from the bottom and hit the top time and time again, giving me the flavor of Glenn Danzig (with much more talent) and the spirit of J. Morrison hovering over his lyrics. Bandmates Jeff (bass guitar) and Drew (set percussion) make Nackt complete, showing top notch musicianship through and through. Nackt currently has cassettes and CDs for sale at Nackt gigs (go see one) and over Nackt info: Drew (517) 346-5667.
Smooth Daddy played Moriarty's Pub on the 15th of November and put on a great show with their smooth blues technique. Showing the crowd that Lansing's blues scene is gaining fame, Smooth Daddy had applause to spare after each tune. Members Joe Cardenas, Mike Daniels, and the man they call Frog got the blues goin' on and should definitely be on your top ten blues bands to see in the Lansing area. Jennifer Lewis stepped up with Smooth Daddy on the 15th to strut her stuff with the band. Her voice, so strong and beautiful, can be caught at Moriarty's pub every Monday.
If you'd like Kevin to catch your show, call him at (517) 482-7613. You can reach Kevin via e-mail at Hurrellk@pilot.msu.edu.
...by Mike Somers
The Capitol Area Blues Society and Capitol Hill Station teamed up on November 10th for a night of fundraising for the Meals on Wheels program. Six area blues bands donated their time and talent to raise money and promote community awareness for this worthy cause. Mike Espy warmed up the historic train station with some traditional slide blues. Next up were the Grand Avenue Blues Cats, who delivered a tight set of classic blues and originals. The Roadmasters were next on stage and treated the crowd to a loud set of harp-driven jump blues. The local trio Microtones followed with a strong set of rock blues and instrumentals. Don Cadwell was joined by some friends and kicked out some fine rockabilly rhythm and blues. The evening was wrapped up by the winning band in last summer's CABS blues talent competition and local favorite, Those Delta Rhythm Kings. Lead vocalist Jill Messing bounced and danced and led the boys through an excellent collection of revivalist swing and jump blues. The Kings proved again why the judges voted them the best area blues band. A real fine evening of great blues music, great food and drink, and some money raised for a worthy cause.
Stopped by to catch a couple sets from the house band at the Colonial Bar and Grille. Patti Ross and the Wanted have been providing the Lansing area with years of great music with their blend of contemporary country and rock. Patti Ross has a strong and passionate delivery and can switch from pure country to flat out rockin' in the blink of an eye. Great voice, great musicians, and a great variety of energetic material.
Got a chance to catch the Detroit-based jump blues band The Alligators at Capitol Hill Station. Bursting from the gate with aggressive, driving rhythms and an energetic stage presence, the 'Gators played with confidence and practiced skill. The dancing started in the first set, and the appreciative crowd bounced and boogied along to spicy hot original numbers "See Ya Later Alligator" and "Six Foot Blues." Revved up blues standards like Studebaker Johns' "She Gets to Me" and my favorite tune of the night, "20% Alcohol," were given the full Alligator treatment. Tight time changes, frenzied lead breaks, and a packed house gave lead vocalist David Krammer and harp man Greg "Wailin' Dale" Blankenship and The Alligators a chance to blast out their passionately-played blues sound in the warm and friendly confines of the Station. If you can't see The Alligators live, do yourself a favor by picking up their recent CD release, Gimme Some Skin.
If you'd like Mike to catch your show, call him at (517) 393-8473.
...by Matthew Brown
Caught Chicago-based Hello Dave at Rick's in Ann Arbor in early November. This four piece was worth the four dollar cover. Their original material has a mature "Hootie" sound with exceptional harmonies. Vocalist/songwriter Mike Himebaugh carried the show with his vibrant, interactive stage presence. They also did a rollicking rendition of John Denver's "Country Boy."
If you'd like Matt to catch your show, call him at (517) 333-9330.
LANSING BAND GUIDE
To help club-goers, the Renegade asks the Lansing area's local bands to describe themselves briefly. Their descriptions are featured here.
dt's: "Consistently engaging original rock-n-roll."
The Epidemic: "The Epidemic is an original metal funk blues rock band with hard hitting grooves. The anti-alternative, anti-pop trio brings new meaning to the word musicality, concentrating on time changes, tempo changes, key changes, and the all out obliteration of alternative music."
Bands: Read the "Hey Bands" box on this page for information on how to get listed in the Lansing Band Guide section.
LANSING MUSIC NEWS
Monkey Chuck's CD Going to Ben's is available on Yikes! Records.
The annual Yikes! compilation is out now, and it's entitled Volume 6 -- In the Be-Guinea. Featured this go-round are Lansing/East Lansing acts the Caustic Pop!, Dorothy, Drew Howard, the dt's, Fat Amy, Nineteen Wheels, Powerface, and Storyville, Kalamazoo's Monkey Chuck, Grand Rapids' Domestic Problems, Ann Arbor's Grin, Detroit's Mental Landscape, Toronto's Blue Dog Pict and Conscience Pilate, Cleveland's Queue-Up, and Buffalo's the tails. The CD was supported with release parties featuring several of the bands on the disc at East Lansing's Small Planet, the Rivertown Saloon in Detroit, Sluggo's in Grand Rapids, and Symposium in Cleveland.
Attention blues fans: You can join the Capital Area Blues Society for annual dues of just $20. Contact them at P.O. Box 1004, Okemos, MI 48805-1004 or via the blues line: 517-349-0006.
Bands: Read the "Hey Bands" box on this page for information on how to be included in the Lansing Music News section.3 Pound Universe
ENTO
227 Quail St., Albany, NY 12203
One of the best bands to come out of November's Philadelphia Music Conference, New York's 3 Pound Universe hits the mark with this release. Chock full of driving guitars, it alternates between pounding emotion and beautifully melodic Seattle-sounding rock. Although relying a bit too much on an Alice in Chains sound, the combination of rich vocals and tight musicianship make up for this pitfall that besets too many bands. The result is 13 songs of dark intensity and powerful, heavy guitar rock. "In Mind" is musically and lyrically masterful.
HELP WANTED
WRITERS WANTED to cover local music scene (especially the country and folk scenes), write album reviews and/or conduct/write interviews. All musical styles. No pay. Great perks. Call Geoff at the RENEGADE -- (517) 332-7648.
MISCELLANEOUS
BEER CAN COLLECTORS
If you are or have been a collector, want to sell your collection or join a can collectors' club, write to: Mid-Michigan Chapter of the BCCA, Attn: Bob, 12284 Ruppert Road, P.O. Box 495, Perry, MI 48872 or call 517-625-3282 and leave a message.
PERSONAL MESSAGES
HEY TANYA!
Happy Birthday! Are you an "Okie" yet?
- Your friend in Michigan
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PERSONALS
DWM is looking for DWF. 45 year old professional is looking for a petite 35-45 year old professional lady. Age really isn't a factor if you can assimilate with me; as I am a small-framed, well groomed, educated human, I expect that in my significant other. I love music, travel, writing, collecting antiques and am quite the unique individual. I have a great sense of humor and love to look and act younger than I am. I've been told I look like John Denver. Are you interested? (Ad #129601)
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BAND SEEKS REPRESENTATION/GIGS
MANAGER WANTED for local band THE EPIDEMIC. Money splitting will be more than fair if you can get the gigs. Call (517) 482-7613.
HOW TO PLACE A CLASSIFIED AD
CLASSIFIED ADS are available under the following headings: Musicians Available, Musicians Wanted, Help Wanted, Work Wanted, For Sale, Wanted to Buy, Personals, Personal Messages, Clubs/Promoters Seek Bands, Band Seeks Representation/Gigs, and Miscellaneous.
TO PLACE A CLASSIFIED AD in the RENEGADE, send a copy of your ad, plus your name, address, and telephone number (for verification purposes) and payment to GEOFF WILBUR'S RENEGADE NEWSLETTER, 2843 East Grand River Ave., Suite 200, East Lansing, MI 48823. Make all checks payable to Geoff Wilbur.
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