Legacy, which was several years in the making, is a modern progressive masterpiece highlighted by piano-centric melodies, dramatic and passionate vocals, and an overall sound that relies more on the collective whole than individual soloists to make a statement. This ensemble aesthetic most likely blossomed from the group’s time-honored work ethic. It is a process that has served them well and is obviously attributable to their longevity as a unit. “Usually we settle conflicts and approach group decisions about songs and things after a few fist fights and a lotta beers,” quips Wehrkamp humorously. “No, actually we proceed with songwriting when someone in the band starts to write. And we’re all involved, in some degree, in that process. There hasn’t been too much friction. While I like to jam and improvise as much as the next guy, and there is that element in our music, it’s more about the song and everything being structured to the note, the beat and the word.”
Touring, of late, has been minimal as all of the band’s members are involved in other projects and careers such as computer programming and studio production. However, they are active preparing and writing songs for their next album.
As afore-mentioned, Shadow Gallery have dedicated many years to the
service and craft of progressive and original orchestral rock. Despite
the typical conservative cultural and media programming conventions, germane
particularly to the U.S., they have remained true to their own path and
artistic vision. Wehrkamp observes that, while radio and video outlets
are still limited in their presentation of “art rock” or “progressive
metal,” avenues to hear music of this genre are markedly improving. “There
may not be five million dollars in promotion backing bands like ours as,
say, Britney Spears has, but I still tend to believe things are getting
better for our type of music. I think the Internet has played a big part
in allowing people choices to see and hear what they want, unlike commercial
radio where you’re told what to listen to.”